Category Archives: Petervan’s Artwork

Petervan Studios – Update Dec 2023

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As we close the year, here is the latest update on Petervan Studios.

The previous update was in March 2023. In a sense, this update is an update on the whole year. A lot has happened since then. A lot did not happen. An overview.

Quick catch-up

I studied architecture (art school), never practiced (dropped out), and stumbled into a nice corporate career. In 2017 I took a sabbatical and never went back. I left the corporate world. I am now officially “retired”

Family

On 18 Dec 2023, Astrid became 18 years, officially “of age”, driving our car (good driver, final exam in Feb 2024), and started higher studies (a four years bachelor nursery), and horses, of course. And in May, we celebrated our 30th wedding anniversary. Time flies. Happy times.

Cosy Birthday Breakfast for Astrid

The Art Studio

The Art Studio is nicely rippling along. I did not have the feeling that I accomplished much, but with hindsight, it’s not too bad, and there are a lot of good foundations for the year to come.

Some of the new projects include:

Hexagrams

Claim your word

Something has dissipated

New paintings

New digital artworks

New soundscapes

Experimenting with interfaces for IRL and VR installations

You can find most of them via the “Artworks” tab on my website. 

© Petervan Artworks 2023 – Pears – Acryl on Canvas

The “Something has Dissipated” project got some traction. There are now about 20 spoken language versions by real humans, including Mongolian and Chinese. But also some synthetic non-human avatar versions like this one:

I registered for the Stability.AI residency by the HUG Innovation Laboratory, participating online between 8 Jan and 18 Feb 2024.

In the planning is a personal solo art exhibition in VR coming and maybe IRL. Some installation concepts will try-out first in VR, and maybe later IRL.

A new performance lecture “City of Play” is in the making, about the New New Babylon (and the power of imagination). No specific target date. I have time, and it has to be right.

New New Babylon – City of Play

I am kind of obsessed with the New Babylon project of artist Constant Nieuwenhuys, who co-founded the avant-garde COBRA art movement in the 1950s. 

For 25 years he worked on New Babylon, an imagined city for the playful and creative human being. The oeuvre consists of hundreds of drawings, sketches, and maquettes. His work was inspired by the book Homo Ludens by Johan Huizinga.

The NEW New Babylon is an artistic research project where we use 2023 technologies.

At the time of writing, we are trying to set up a team/consortium to overlay an existing city (district) with a VR environment for A/B Testing of the urbanistic, economic, and governance aspects of the city.

It probably will involve expertise from worlding experts, interactive fiction, procedural games, autonomous worlds, protocol language patterns, etc

More high-level info here: https://petervanstudios.com/new-new-babylon-city-of-play/ .

I have more details, so if you are really interested in putting skin in this game, DM me.

Performance

The script is more or less done now. Starting to make the first soundscapes for this. 

This trailer of Hilma af Klint’s “The Temple” experience keeps haunting me. 

As well as this painting by Léon Spilliaert from 1908 called “De Duizeling” aka “The Dizziness/Vertigo”

At this moment I am exploring a whole slew of tools: videosync, BEAM, BAM, Procreate Dreams, Capture for scene design, and spending lots of time on learning/trying to understand Blender, Unity, Unreal Engine, new Ableton packs, the new version of Apple Logic Pro X, and hopefully soon Apple Vision Pro.

Timing slips. No problem, I have time. And it has to be right. And not sloppy.

Delicacies

Delicacies are back! This time on Substack

Writings

Loads of notes, draft blogs, reflections, etc in the pipeline. When I look at some of the material, it feels like I am in a different reality.

The next one is probably about wormholes.

No idea when and if I will publish what when.

It’s probably going to come in bursts.

Books

Highlights:

Making Meaning with Machines: Somatic Strategies, Choreographic Technologies, and Notational Abstractions through a Laban/Bartenieff Lens

The Entanglement: How Art and Philosophy Make Us What We Are

Other books I am reading: See my GoodReads:

https://www.goodreads.com/goodreadscompetervan

Exhibitions

Since March 2023, I visited many art exhibitions and galleries. If I had to pick one or two highlights, it would be Jan De Vlieger at Mudel and the Inspired By Love expo at Belfius Art Gallery. Picture below is work by Emilie Terlinden.

Detail Jan De Vlieger’s San Marco People – picture by Petervan

Detail of Emilie Verlinden’s The Farm 2023 – Picture by Petervan

Also, the works of David Claerbout and his practice are a continuous inspiration for my own work. Here is a great talk by David at Schaulager Basel as part of the Out of the Box exhibition.

David Claerbout discusses a range of artworks, among them Nightscape Lightboxes (2002-2003), Wildfire (meditation on fire) (2001), and Backwards Growing Tree and Birdcage (both from 2023), the latter two on show at the Gallerie Greta Meert in Brussels till 3 Feb 2024.

What’s next?

I don’t know. Focus areas are:

The New New Babylon project

The upcoming solo exhibition in VR

The Performance

But some promising smoldering sparks deep in the campfire may suddenly light up. Life is full of surprises. Only the fool don’t change their mind.

So, that’s it for this edition. 

Happy New Year to all of you!

If there is something worth reporting, the next update is for April 2024. 

Warmest, 

Something has dissipated

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A soundscape-poetry collaborative experiment.

Inspired by Audrey Carmes’ album “Quelque chose s’est dissipé”, this project will invite people from all genders, races, religions, and countries to voice over the poem “Be Free, like Birds in the Sky” in different languages over a soundscape composed by Petervan.

I could do this with computer-generated translations and text-to-voice apps. Here are some examples

In French:

In (Brazilian) Portuguese:

In German:

However, these computer-assisted approaches miss the rhythm, pauses, and slowness of the poem. It also limits me in what I can do with it in Ableton/Logic Pro or combine it with custom-made soundscapes.

An example of an “in the mix” experiment:

Therefore, I would like to invite real humans to translate the original poem with Google Translate, correct it as needed to keep the poem’s spirit, record the poem with their smartphone, and send me the MP3. I will take care of the rest.

If interested, contact me via the contact tab of this website.

That’s it, I am leaving the real world

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I always felt restricted by the real world. But now, I’ve found my true calling in the virtual world of New New Babylon.

As I explore this world, I’m constantly amazed by the endless possibilities it offers. The colors are vibrant, the sounds are unique, and the technology is incredible. It’s a place where artists and experimentalists like myself can pursue our passions without any restrictions.

I made the life-changing decision to leave the real world behind and make a living as an artist and experimentalist in New New Babylon. I sold everything I had, bought the necessary equipment, and dived headfirst into this new world.

At first, it wasn’t easy. I struggled to make ends meet and had to work long hours to create my art and experiment with new techniques. But I’m determined to make it work, and I collaborate with other artists to create some of the most stunning works of art that New New Babylon has ever seen.

As my reputation grows, so does my income. I’m able to live a comfortable life in the virtual world, and I feel more fulfilled than I ever have in the real world. I know that this is where I truly belong.

But even with my success, I never forget my roots. I miss my family and friends, but I know that I could never go back to the real world. New New Babylon is my home now, and I’m content creating and experimenting in this vibrant world.

Years will pass, and I hope that my art will become more and more famous. I want to become a household name in New New Babylon and inspire a new generation of artists and experimentalists. I’m happy and content, knowing that I’ve made the right decision.

In the end, I realize that sometimes, the things we need the most are not in the world around us, but within us. I’ve found my true calling in the virtual world, and I know that I’ll spend the rest of my life creating and experimenting, surrounded by the vibrant colors and unique sounds of New New Babylon.

Warmest

Created by ChatGPT on 1 April 2023

Petervan Studios – Update March 2023

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Petervan Artworks © 2023 – New New Babylon – Generated with MidJourney

Here is the latest update on Petervan Studios. The previous update already goes back to September 2022

As most of you know, Petervan Studios is the melting pot of three studios: The Art Studio, The Interventions Studio, and The Scaffold Studio

The Art Studio

My latest artworks are on the artworks section of the Petervan Studios site. Here is my cousin Joost standing in front of one of
my recent paintings: 4 panels together measuring 240cm x 200cm.

IMG_6629 cropped

I am also working on a VR implementation of the New New Babylon (NNB) Project: a network of urban youth city districts that are connected through standard interfaces. 

02_Places

We are working with Spectracities to launch a design challenge by April 2023. I am doing an intro talk on this project during the Spectracities meet-up on 9 March 2023.

petervan event poster NNB

And here is the recording: starts at minute 7:32

NNB will also have a number of virtual Art White Rooms that will host my latest artworks.

NNB will also host a New New Babylon TOWER, and I plan to make a physical model of that tower as an example of materializing my metaphors.

A new “Performance Lecture” will consolidate all of the above in a compelling multimedia narrative and performance.

Target date for the performance and the supporting NBB material is 1 Nov 2023

The Interventions Studio

Two interesting experiences with the Zen Bricks Project

One client asked me to run a 30 min online session, where all the participants are drawing little bricks in complete silence. I was very surprised to learn how this zen moment unleashed quite emotional reactions among the participants.

Another client invited me to do something similar in real life, as part of their corporate event that was organized around the theme of mental wellness and the importance of calm moments.

The Scaffold Studio

The Scaffold is a transdisciplinary learning studio for the never-normal.

1966890944_oil_painting_in_magritte_style_of_a_group_of_artists_and_engineers_on_a_scaffold_looking_into_space

We are working on two interesting leads.

Lead #1 is a services company that owns a beautiful physical building/campus with meeting rooms, study rooms, a library, auditoria, lush gardens, etc. They run it as a private infrastructure for the public good. We look at it as an imagination infrastructure. The hardware. What The Scaffold offers is the software: the expertise, network, and practice to curate and design a series of learning studios and expeditions. The study topics are non-hierarchical organizations and new democracies.

Lead #2 is a globally operating organization trying to get its head around the topic of corporate governance. Like the first lead, they own world-class real estate, including an auditorium and a museum. We are also looking to design a physical journey between cities leading toward a major event in 2024.

We have a great coalition of advisors. Last month, Lene Rachel Andersen joined our advisor’s group as the twelfth apostle. She specialises in Bildung, Metamodernity, and Libertism. Give Lene a warm welcome.

So, that’s it for this edition.  If there is something worth reporting, the next update is for Sep 2023.

Warmest,

petervan-signature-version-23-oct-2021-transparent