PXL Immersive Music Day 24 Apr 2025 – Conference notes

As part of the research for my immersive projects and performances, I am trying to better understand the visual and audio aspects of XR experiences. In that context, I attended the Immersive Music Day at PXL in Hasselt, Belgium, organized by the PXL Music Research team. The full program, schedule, and lineup are here.

It is a relatively small-scale event (I guess about 100 PAX), which is great as it enables networking with the participants and the speakers. The event was held at a location with great immersive audio infrastructure (3 rooms with full 360 sound set-up). For the rest, it was a no-frills event with super-friendly staff and good food at breakfast and lunch.

Example of an immersive music room set-up

I was also pleasantly surprised by the mix of ages, ranging from fresh-faced high school students to seasoned audio veterans and legends, plus corporate fossils like myself. That kind of diversity usually signals that something truly interesting is about to unfold.

But the best part was the content and the speakers.

If there was an intended or unintended theme, it would be the subjective aspects of the immersive experience (how sound “feels”, or about the experiential coherence of auditive, visual, and spatial input) vs. the technological aspects of immersive sound (like precise localisation of sound in space). But I am sure that in some other sessions, the content was quite nerdy, up to the detailed coded and mathematical aspects of encoders/decoders.

Here are a few notes and reflections from the sessions I attended.

Immersive Space – An Agent for Creating and Experiencing Music

Speaker: Wieslaw Woszczyk, Director of the McGill Recording Studios and the Laboratory of Virtual Acoustics Technology at the Schulich School of Music of McGill University.

Program synopsis: Humans have sensory capabilities for recognizing their presence and immersion in space. Music ideally matches these capabilities by presenting dynamic, tonal, harmonic, and rhythmic structures in sound. Musicians use space to generate and blend sounds of ensemble, to hide and reveal musical voices, to dramatize perspectives, and to harness emotion in music making and listening. The talk explores immersive space as a modern technological tool for augmenting people’s experience of music

CIRMMT Dome with 32 speakers

Notes:

I had never considered immersive sound as a medium for live music performance—being physically present in one space while listening to live musicians through a 360° sound system that simulates the acoustics of an entirely different environment. Wieslaw talked about auditory “fingerprints” of spaces. This goes way beyond sound effects like reverb that simulate the reverb of a cathedral. No, this fingerprint captures the full acoustic character of a space—every corner, every height, every nuance. And there are plug-ins available that let you import this detailed acoustic profile directly into consumer-level digital audio workstations like Logic Pro and others.

This allows performing artists to shape and test their artistic expression for a specific space, like the San Francisco Cathedral, or lets the audience experience the music as if they were actually there, immersed in that very acoustic environment.

Altering the Immersive Potential: The Case of the Heilung Concert at Roskilde Festival

Speakers: Birgitte Folmann, Head of Research, Sonic College, and Lars Tirsbæk, Consultant in Sound & Emerging Technologies, Educator 3D audio, Sonic College

Program synopsis: Immersive concert experiences are often described as specific, emotionally moving, dynamic, and complex – qualities that require experimental and interdisciplinary methods to be meaningfully understood. In this talk, we explore the immersive and engaging potential of live concerts through the lens of the Heilung performance at Roskilde Festival. Drawing on anthropological fieldwork and insights into the technical systems that supported the experience, we discuss how a deeper understanding of immersion can inform both artistic and technological development to enhance future audience experiences 

Notes:

The talk was about the Heilung Concert at Roskilde Festival in 2024, in a festival tent holding about 17,000 people. Details about the technical set-up by Meyer Sound here.

What struck me was that the concert wasn’t branded as an “immersive” experience—there was no expectation set in advance. Yet, the immersion began the moment people entered the tent: birdsong filled the air, subtly blurring the line between environment and performance. It reminded me of my Innotribe days, where we also paid close attention to how people entered a space. After all, arrival and departure are integral parts of both the performance and the scenography.

The first part of the talk by Lars was about the technical challenges of delivering a 360 immersive sound experience in such a huge space. The second part by Birgitte was about the anthropological and subjective aesthetic experience of immersive music by the audience. Her slogan, “Aesthetics is a Verb” is great t-shirt material. They also talked about the “attunement” of the audience to the experience, and that you can’t fight the visuals: for example, when the drums play on the front stage, having the 360 sound coming from behind you does not work for the human brain.

Their team is now starting to document the findings of their field research. More to come.

Designing the Live Immersive Music Experience

Speaker: Paul Geluso, Music Assistant Professor, Director of the Music Technology Program – NYU Steinhardt University

Program synopsis: Paul Geluso’s work simultaneously encompasses theoretical, practical, and artistic dimensions of immersive sound recording and reproduction. His first book, “Immersive Sound: The Art and Science of Binaural and Multi-channel Audio,” published by Focal Press-Routledge, has become a standard textbook in its field. Geluso will share his research experience while providing exclusive previews of interviews and insights with featured immersive audio masters from his forthcoming book, “Immersive Sound II: the Design and Practice of Binaural and Multi-Channel Experiences” set to be published in fall of 2025. This presentation will also included discussions on his 3DCC microphone technique, a 3D Sound Object speaker design capable of holophonic sound playback, and his work on in-air sound synthesis and other site-specific immersive sound experience building techniques. 

Notes:

Paul Geluso is God. Some years ago, he published “Immersive Sound: The Art and Science of Binaural and Multi-channel Audio,” considered by audiophiles as “The Bible”. He is also good friends with Flanders’ best artist, Piet Goddaer aka Ozark Henry, who specializes in immersive sound and music.

Ozark Henry in his studio

Paul took us on a journey of his research on immersive recording (making custom made 3D microphones and codes) and playback (making his own “Ambi-Speaker Objects”.

Paul Geluso’s immersive 3D Sound Object (Ambi-Speaker)

This was more of a backdrop for his upcoming book. While his first book was more about the how – the technology to record and playback immersive music – his new book will focus on the why – in essence, about leading with the story and the artistic intent. He hopes the new book will be out in 2025.

I had the chance to have a short 1-1 conversation with Paul, who seemed interested in our immersive performance ideas, which was exciting to know.

Subjective Evaluation of Immersive Microphone Techniques for Drums

Speaker: Arthur Moelants, Researcher PXL-Music

Program synopsis: When presenting a group of listeners with four immersive microphone techniques in two songs, will they always choose the most objectively correct one? An experiment with drum recordings in different acoustics and musical contexts challenges the assumption that objective parameters like ICTD and ICLD should always determine the best choice. While non-coincident techniques often score better in these metrics, listener preferences can shift depending on the musical context, as other techniques offer different sonic and practical qualities that might benefit the production more.

A microphone set-up for drums

Notes:

Arthur is part of my team for our immersive performances, like The New New Babylon, where he acts as both a cinematographer and immersive music expert. He is a member of the PXL-Music Research team. I was curious to see how he’d handle public speaking and delivery, and he did not disappoint. I’m always impressed by how some young professionals manage to blend deep, almost nerd-level technical expertise with polished communication and presentation skills.

His talk was about his research on the subjective experience of drums, and how that experience differs depending on the recording technique and on the context of the drums as part of a song. I really like the simple graphics of his slides to explain some quite technical aspects of immersive music. Not an easy talk to deliver as he was also giving live demos on a 360 system to let us hear the subtle differences.

That’s it. Hope you enjoyed these notes

Warmest,

Petervan Studios – April 2024 update

Here is the latest update on Petervan Studios. The previous update was in December 2023. A lot has happened since then. A lot did not happen. Here is an overview.

Winter and Spring

Open skies at sea – Middelkerke – 19 Jan 2024 – Frame from Petervan video

Early blossoms in the garden – 20 Mar 2024 – Picture by Petervan

Family

Joy: Astrid now has a driver’s license: on the one hand, this means I don’t have a car anymore, on the other hand no more taxi service and that is a great luxury. And she took up again her dream of becoming a doctor or a veterinarian. For that, she studies daily to pass the entry exam at Ghent University beginning July 2024. And of course, horses forever 😉 Happy times.

Grief: my mother in law is not well. Mieke and I are trying to help where possible. Difficult times.

The Art Studio

Only a little happens in the Art Studio. Some paintings and sketches. And some soundscape experiments, playing around with the latest Ableton Live and Apple Logic Pro versions.

Also found a good AI service for song generation, called Suno AI. Below is a song generated by prompting Suno AI, based on a rap poem by Dr. Paul Pangaro in a cybernetic manuscript for a 1989 book proposal that never got published. Mind you, the title of the book was “New Order From Old: The Rise of Second-Order Cybernetics and Its Implications for Machine Intelligence”

Magritte Synaptic Gap – Image prompted by Petervan in DALL-E


You can find most of them via the “Artworks” tab on my website.

Petervan Artworks ©2024 – Lollipops – Acryl on canvas – 100×80 cm

I participated in The Stability.AI residency at the HUG Innovation Laboratory between 8 Jan and 18 Feb 2024. Did not get out of it what I expected. And Stability AI is getting quite “unstable” since the fall down of its CEO.

Petervan Artworks ©2024 – Prompt Woman in Arena – Stability AI

I am also playing around in Numena’s Space Elevator VR App, and start imagining what sort of VR performances would be possible. Here is an example that is in the VR elevator wall of the project that feels like a Magritte VR experience. For transport, I used the fly mode of the application.

There is also some progress in the “Claim Your Word” project, A collaborative art project to curate words that never make it into a McKinsey presentation. In essence, all words that make us human. In March 2024, I added a whole set of additional words, resulting in the following updated word cloud:

If you want to suggest additional non-McKinsey words, go to the form on the project webpage above. 

Still in the planning is a personal solo art exhibition in VR and maybe IRL. Some installation concepts will be tried first in VR, and maybe later in IRL.

The performance lecture “City of Play”, about the New New Babylon (and the power of imagination) is on hold. 

However, a new one is in the making “Cybernetic Magritte”, where I share the story of my novice Cybernetic discoveries and learnings, and only use my artwork as visuals, my compositions as soundscapes, and my poetry. Target date: June 2024 and subject to closing the last funding gap.

Cybernetic Virgin

Somewhere in January 2024, I got infected by the cybernetic virus. Here is the video that got me down the rabbit hole

Here is Dr. Paul Pangaro (President of the American Society for Cybernetics), who talks about the remake of Gordon Pask’s Colloquy of Mobiles, an installation illustrating his Conversation Theory based on cybernetic principles.

For somebody active in many innovation initiatives during my career, it is remarkable that I never got exposed to cybernetics. In that sense, I am a “Cybernetic Virgin”, looking with open eyes at the great cybernetic minds of the 50ies and 60ies. 

Since January, I have devoured massive amounts of cybernetic originals and absorbed as much as I can. This has an impact on my previous plans, whether art-related or intervention-related.

In the meantime, I had a couple of conversations with Dr. Paul Pangoro, and I would not be surprised if one or more projects will follow.

Summer of Protocols

The Summer of Protocols (SoP) is an ongoing research and evangelism effort that aims to catalyze broad interest in the study of protocols as a first-class concept for thinking about the world. It is led by Venkatesh Rao and funded by the Ethereum Foundation.

The results of the first (2023) SoP are now published on their brand-new site. The research and delivery format are all very well done.

This is about protocols in the widest sense: from communication protocols to protocols for washing hands, or protocols for artificial memory or addressable spaces.

Have a look at one of Venkat’s great talks about this project

Together with some friends, we submitted a SoP24 Protocol Improvement Grant proposal for Conversation Protocols for Humans and Machines. Let’s cross our fingers!

Delicacies

Delicacies are back! Check out the Jan, Feb, and March 2024 editions

Writings

Loads of notes, draft blogs, reflections, etc in the pipeline. When I look at some of the material, it feels like I am in a different reality.

The next ones are probably about conversation protocols, cybernetic virgins, and VR experience with eyes in your hands.

No idea what I will publish and when. It’s probably going to come in bursts.

Books

Highlights:

The Cybernetic Brain: by Andrew Pickering

Private I: by Jill Fain Lehman, Paul Pangaro, Ashlei E Watson

Other books I am reading: see my GoodReads: https://www.goodreads.com/goodreadscompetervan

Exhibitions

Since Jan 2024

Mudel Deinze – Antoon De Clerck – 10 Jan 2024

KMSKB – Imagine 100 Years of Surrealism – 15 Mar 2024

BOZAR – Histoire de ne pas rire – 15 Mar 2024

Hyper-realism – Along the E5 Highway – Antoon De Clerck – Picture by Petervan

Detail “Les Grand Voyages” – Rene Magritte – Oil on Canvas – Picture by Petervan

Social Media

Somewhere in the beginning of February 2024, I deleted all my social media accounts: Twitter, Facebook, LinkedIn, Bluesky, Mastodon, etc – ALL of them. I only kept my Instagram to sporadically share some images. 

I felt there was so much noise, that it was not worth my time anymore to daily scan all the new streams for something interesting. I am now subscribed to only a very limited number of newsletters on Medium and Substack. 

I also found conversations got much more interesting when I scheduled some quality time in catchup calls.

The best way to contact me is now via email or WhatsApp.

What’s next?

I don’t know. Focus areas are:

The Summer of Protocols

The Cybernetic Performance

The New New Babylon project

So, that’s it for this edition. 

If there is something worth reporting, the next update is for July 2024. 

Warmest, 

Petervan Studios – Update Dec 2023

As we close the year, here is the latest update on Petervan Studios.

The previous update was in March 2023. In a sense, this update is an update on the whole year. A lot has happened since then. A lot did not happen. An overview.

Quick catch-up

I studied architecture (art school), never practiced (dropped out), and stumbled into a nice corporate career. In 2017 I took a sabbatical and never went back. I left the corporate world. I am now officially “retired”

Family

On 18 Dec 2023, Astrid became 18 years, officially “of age”, driving our car (good driver, final exam in Feb 2024), and started higher studies (a four years bachelor nursery), and horses, of course. And in May, we celebrated our 30th wedding anniversary. Time flies. Happy times.

Cosy Birthday Breakfast for Astrid

The Art Studio

The Art Studio is nicely rippling along. I did not have the feeling that I accomplished much, but with hindsight, it’s not too bad, and there are a lot of good foundations for the year to come.

Some of the new projects include:

Hexagrams

Claim your word

Something has dissipated

New paintings

New digital artworks

New soundscapes

Experimenting with interfaces for IRL and VR installations

You can find most of them via the “Artworks” tab on my website

© Petervan Artworks 2023 – Pears – Acryl on Canvas

The “Something has Dissipated” project got some traction. There are now about 20 spoken language versions by real humans, including Mongolian and Chinese. But also some synthetic non-human avatar versions like this one:

I registered for the Stability.AI residency by the HUG Innovation Laboratory, participating online between 8 Jan and 18 Feb 2024.

In the planning is a personal solo art exhibition in VR coming and maybe IRL. Some installation concepts will try-out first in VR, and maybe later IRL.

A new performance lecture “City of Play” is in the making, about the New New Babylon (and the power of imagination). No specific target date. I have time, and it has to be right.

New New Babylon – City of Play

I am kind of obsessed with the New Babylon project of artist Constant Nieuwenhuys, who co-founded the avant-garde COBRA art movement in the 1950s. 

For 25 years he worked on New Babylon, an imagined city for the playful and creative human being. The oeuvre consists of hundreds of drawings, sketches, and maquettes. His work was inspired by the book Homo Ludens by Johan Huizinga.

The NEW New Babylon is an artistic research project where we use 2023 technologies.

At the time of writing, we are trying to set up a team/consortium to overlay an existing city (district) with a VR environment for A/B Testing of the urbanistic, economic, and governance aspects of the city.

It probably will involve expertise from worlding experts, interactive fiction, procedural games, autonomous worlds, protocol language patterns, etc

More high-level info here: https://petervanstudios.com/new-new-babylon-city-of-play/ .

I have more details, so if you are really interested in putting skin in this game, DM me.

Performance

The script is more or less done now. Starting to make the first soundscapes for this. 

This trailer of Hilma af Klint’s “The Temple” experience keeps haunting me. 

As well as this painting by Léon Spilliaert from 1908 called “De Duizeling” aka “The Dizziness/Vertigo”

At this moment I am exploring a whole slew of tools: videosync, BEAM, BAM, Procreate Dreams, Capture for scene design, and spending lots of time on learning/trying to understand Blender, Unity, Unreal Engine, new Ableton packs, the new version of Apple Logic Pro X, and hopefully soon Apple Vision Pro.

Timing slips. No problem, I have time. And it has to be right. And not sloppy.

Delicacies

Delicacies are back! This time on Substack

Writings

Loads of notes, draft blogs, reflections, etc in the pipeline. When I look at some of the material, it feels like I am in a different reality.

The next one is probably about wormholes.

No idea when and if I will publish what when.

It’s probably going to come in bursts.

Books

Highlights:

Making Meaning with Machines: Somatic Strategies, Choreographic Technologies, and Notational Abstractions through a Laban/Bartenieff Lens

The Entanglement: How Art and Philosophy Make Us What We Are

Other books I am reading: See my GoodReads:

https://www.goodreads.com/goodreadscompetervan

Exhibitions

Since March 2023, I visited many art exhibitions and galleries. If I had to pick one or two highlights, it would be Jan De Vlieger at Mudel and the Inspired By Love expo at Belfius Art Gallery. Picture below is work by Emilie Terlinden.

Detail Jan De Vlieger’s San Marco People – picture by Petervan

Detail of Emilie Verlinden’s The Farm 2023 – Picture by Petervan

Also, the works of David Claerbout and his practice are a continuous inspiration for my own work. Here is a great talk by David at Schaulager Basel as part of the Out of the Box exhibition.

David Claerbout discusses a range of artworks, among them Nightscape Lightboxes (2002-2003), Wildfire (meditation on fire) (2001), and Backwards Growing Tree and Birdcage (both from 2023), the latter two on show at the Gallerie Greta Meert in Brussels till 3 Feb 2024.

What’s next?

I don’t know. Focus areas are:

The New New Babylon project

The upcoming solo exhibition in VR

The Performance

But some promising smoldering sparks deep in the campfire may suddenly light up. Life is full of surprises. Only the fool don’t change their mind.

So, that’s it for this edition. 

Happy New Year to all of you!

If there is something worth reporting, the next update is for April 2024. 

Warmest, 

Apple just upgraded the illusion

Picture by Apple

The initial title of this post was “Let’s upgrade the illusion”, but that’s what Apple just did with the announcement of the Vision Pro. And I mean that in the positive sense, not as a criticism.

The quote “Let’s upgrade the illusion” comes from a keynote by Deepak Chopra during the December 2022 retreat of Nishith Desai Associates (NDA), a leading Legal & Tax Consulting company from India, with offices worldwide. It is in itself interesting to see a Legal & Tax Consulting company exclusively focused on new technologies like AI, XR, Nano, Bio, etc.

The event was hosted in NDA’s gorgeous campus “The Imaginarium”, a true infrastructure for imagination, pitched by the CEO as a “private infrastructure for the public good”. How cool is that?

But back to that keynote titled “The nature of reality, what is real?” – We jump in after 2 min:

Deepak kicks off by stating that everything is real if you are truly immersed in it: whatever you experience is an illusion. If everything is an illusion anyway, let’s then upgrade the illusion. To do so, says Deepak, ideas have to manifest. Therefore we need imagination. 

Imagination is about EVERY experience, all senses, not only visual, Deepak goes on. And then he really got me when he explained: 

“That what imagineS is consciousness, awareness, soul. That what imagineS has no form, no location in time or space, no boundary, and therefore is infinite. That what is imagineD has form, has location.”

This opens a field of possibilities, or better, a field of what can be imagined. 

I agree with Peter Hinssen when he says that the Vision Pro is not an iPhone moment but an Apple LISA moment:

“I don’t agree with those who say that the Apple Vision Pro launch is a new iPhone moment. I believe it’s an Apple Lisa moment. The Apple Lisa was a true milestone in the history of personal computing. Just like the Lisa, the Apple Vision Pro is a technological marvel that is too expensive (for now) to join the mainstream but is setting completely new standards for the industry.”

Back to Deepak. In a second talk at the same event about “The Future of Wellbeing”, he kindly notices that scientists measure experiences, and artists have experiences. That scientists identify with Quanta, and artists with Qualia. “Qualia is a unit of experience”. 

What if we would measure the success of the Vision Pro on its potential to dramatically increase our units of experience, expanding our notions and understandings of what is real.

This reminds me of David Chalmers’ book “REALITY+”, a philosophical masterpiece that basically states that any good illusion is indistinguishable from real. 

Let’s mix this with the insights of another philosopher Mark Coeckelbergh in his new book “Digital Technologies, Temporality, and the Politics of Co-Existence”, a mouthful, I know. Prof. Dr. Mark Coeckelbergh is a full Professor of Philosophy of Media and Technology at the Philosophy of Department of the University of Vienna.

In this book, Coeckelbergh makes a plea for process philosophy: 

Process philosophy shows a way out of what is today seen as overly deterministic thinking about technology and time, and clears the road for thinking about digital technologies and digital selves not as objects but as processes and becoming

He also introduces the concepts of embodied technologies and “technoperformances.”

Performances emphasize the role of humans and the social but also bodily and kinetic character of our (co-)existence with digital technologies… As I have proposed in Moved by Machines and related work, the term performance can be used to conceptualize our dealings with technologies, including digital technologies. As we use digital technologies and are involved in technoperformances, we move and are choreographed, we act and are directed. To conceptualize the important role technologies and media play, we can say that we do not only use technologies in order to move, but that technologies also move us and direct us. The medium is not only the message but also the performance.  

This brings me to the excellent interview of Kent Bye with Andreea Ion Cojocura during SXSW 2023 titled “Defining Process-Relational Architecture with Andreea Ion CojoCaru: Spatial Design as a Participatory Improv Performance”

Andreea passionately talks about the potential of XR to instigate and discover emergent behaviours, about rubbery environments in continuous change, putting change at the heart of everything. And also about performance, like in art performance, a live creative process that takes you on an embodied, visceral journey with direct interaction with public. A process relational approach: me and the building (the environment) going dancing for a while. Love that – dancing with your spacial environment: where the end result is less important than the process, the experience itself. 

Ken Bye has btw very deep thoughts about the impact of AR/VR/XR on presence, immersive storytelling, and experiential design. Watch his May 2022 Brussels talk on YouTube here. I encourage you to watch the whole thing, it will reset your assumptions about virtual reality.

The core of his talk is about this quadrant, looking at AR/VR/XR in terms of four types of presences.

One could also say the four types of “illusions” of what is real and what creates and influences your learnings and behaviors.

Let”s get out of this rabbit hole with Andreea in her recent LinkedIn post:

Apple DID debut a killer app. It’s embodied interaction *done well*. It doesn’t matter how simple it is. Experiencing space smoothlessly react to you in any form is exhilarating, addictive magic. The killer app is spatial UX as its own content. The novelty resides at the neural level, where a tiny delay or flicker makes a world of difference in how information is processed, and when and how the feeling of magic and awe is released.”

Besides the fact that the Vision Pro and anything related to it is just a gorgeous piece of technological perfection – “you can lick it” would Steve Jobs say – it deeply integrates spacial vision and embodied experience. That’s why I belief Apple just upgraded the illusion.

Update: I added a link to @BrettKing’s The Futurist Podcast on the Apple Vision Pro with @missmetaverse @Scobleizer, and @BrianRoemmele . This Podcast gives you a really good sense of the revolutionary aspects of the Apple Vision Pro. Enjoy!

Warmest

I have no clue what you are talking about

This is a short (and bit weird) morsel on not understanding a clue anymore, to have the feeling to encounter a completely foreign world.

I happened to me several times last months, that I read or meet something/somebody and I really don’t have a clue what they are talking about.

  • A friend shares with me her business plan for a new app, and I have no clue what it is about, even not after having (tried to) read the associated white paper
  • The book “What Algorithms Want” by Ed Finn
  • The “God is in the Machine” post by Carl Miller
  • The 1000 dimensions of algorithms in James Bridle’s “New Dark Age
  • Eddie Harran’s (aka Dr.Time) Temporal Labs, Research lab investigating time’s impact on humanity

From the “God in the machine” post:

We sat there, looking at the computer, his creation laid out in multi-coloured type. “This is all to do with complexity,” he said contemplatively. “Complexity of input. Complexity of analysis. Complexity of how outputs are combined, structured and used.” 

 “Truth is dead,” he sighed. “There is only output.”

 After some 1-1 conversations with some of the authors, it looks like I missed a whole generation of aesthetic language that is only found in apps, games, and Netflix-ish series like Black Mirror, Mr. Robot, Tangerine, Ratter, and Skam.

black mirror

Black Mirror – Season 4 – 2017

It feels like digital incest. Trying to hide from your virtual self. A virtual loop of digital identities and personalities. Not knowing what is real and what is fake or sliced/looped faith.

It also makes me think of this extract from Bill Gates’ review of Capitalism without Capital:

It took time for the investment world to embrace companies built on intangible assets. When we were preparing to take Microsoft public in 1986, I felt like I was explaining something completely foreign to people. Our pitch involved a different way of looking at assets than our option holders were used to. They couldn’t imagine what returns we would generate over the long term.

It feels like I cannot imagine what these new aesthetics can mean on the long term, and how they are already influencing now Generations X, Y, and Z.

I am missing the @swardley’s situational awareness map, about movement and position. Where is the anchor? What is edge and what is commodity?

Visit Roger Raveel museum 28 Sep 2018

If you are still in for it, here are two soundscapes of my visit to the Roger Raveel Museum;

Still with me? Where am I? What’s next? Where is this going? How fast? How? When? With whom? Who is cheating? Who’s not?

Are we entering a digital matrix? Where real and surreal blur into an new perception?

Tell me if your understand.

Are we all lost?

petervan-signature

Patrimony, Spaces of memory, and Memory palaces

Musikheim, main hall, Frankfurt:Oder, 1929 He befriended fellow modernist Walter Gropius, and helped draw up the curriculum for Gropius_s design school, the Bauhaus Photograph- © Ate

Musikheim, main hall, Frankfurt/Oder, 1929
The Bauhaus Photograph- © Atelier Leopold Haase & Co

A couple of months ago a started a research on “deep” change. Check out the previous posts here and also this one where I highlighted the importance of patrimony and its combination with contemporary. Or the combination of the core organisational DNA with the DNA of innovation.

Although the term “deep” is a somewhat glorifying term – as glorifying as “meaningful” or “authentic” – it has some meaning as the change I am trying to describe probably has its source in the more deeply wired connections in our brains and being fully conscious, as opposed to the western consciousness – starting more or less with Pythagoras – which is anchored in a two dimensional, linear either/or Boolean consciousness.

With my background training as an architect, I have probably developed a greater multi-dimensional sensitivity about spaces, and I stumbled by accident on the notion of space and/or structure as a store for memories, or wisdom if you want.

Lately, I am noticing plenty of videos that use connected particles moving around in some kind of grid, creating patterns of movement.

Here is one video by futurist Gerd Leonhard about the tension Technology vs. Humanity and the connectedness or over-connectedness of humans and things.

The moving grid/nodes representations made me think of some artwork I discovered lately by visual artist Simone Reuss on spacial relations. The original post and background is here, but I made my own little animation with it and added a self-composed soundtrack. I made it as part of a brand new presentation/performance on the topic of “deep” change.

 

Spacial relationships may be one of the aspects of being human that we are losing by using too augmented reality. Like you loose your physical orientation skills by driving/walking around all the time with Google Maps or GPS driving.

I like the idea of human movements creating invisible spaces of memory. Leaving traces of flows and movements.

In the second part of my short movie, you will see a drawing documenting human flows in an office building. How humans cut corners, how their movements are dictated by the structure/floor plan of the office. What I really like is how the artist made 3D prints in silicone of these patterns. It is as if the 3D print object is a store of memory of the movements and the structure.

02_plocka_movementspace_simoneruess_2012

Movement Spaces - Silicone 3R print - Simone Reuss - 2012

One can of course question what came or should come first: the structure influencing the flow, or the flow influencing the structure? I remember some Californian University experimenting with spaces with no walls, and let the users define “as-they-flow” where the separations should be.

Fluidity seems to always find its best structure

Flow happens first, it influences the structure and determines the capacity of the structure to further enable connections.

But that structure in its own terms then also becomes patrimony. A memory space. A tool to memorise and remember the patrimony memory of a talk, a plot, a corporate narrative, or a corporate DNA.

memory spaces

lukasa memory board. Courtesy Brooklyn Museum/Wikimedia

I learned that “Memory Palaces” are indeed an old mnemonic technique to build places of memory. Check out this great post about “Memory Palaces”.

Cultures without writing are referred to as ‘non-literate’, but their identity should not be associated with what they don’t do, but rather with what they do from necessity when there is no writing to record their knowledge. Cultures without writing employ the most intriguing range of memory technologies often linked under the academic term ‘primary orality’, including song, dance, rhyme and rhythm, and story and mythology. Physical memory devices, though, are less often included in this list. The most universal of these is the landscape itself.

It is about recording knowledge, or even better know-how, through experience, and not because being told/teached to do so.

Culture is recorded know-how.

Is there a way to “design” the such spaces of memory? Joe Brewer has done some solid work with his Culture Design Labs, laying the groundwork for a design science of intentional social change to rapidly evolve our systems of government, the practices and structures of market economies, pathways through educational institutions, and journalism models in the media. 

1-3UloFel_nyidL8w-feEsCw

Not as some loose theory of change, but by creating a rigorous scientific model. That’s interesting and refreshing: looking at change as a science, not as a theory.

Every story, every organisation has structure. How did that structure come into being? How do we change structure? How do we change flows influencing that structure? Or as Jean Russell says: how do we cultivate flows?

Hope it sparks something 😉 Cheers!

petervan-signature

I am in the business of cultivating high quality connections and flows to create immersive learning experiences and structural change. Check out: https://petervanproductions.com/

 

 

 

The Illusion of Agency

At this year’s Innotribe Sibos, we have a session about digital ethics. Part of a full day on man-machine convergence.

Some of that conversation will be about the use and control of data. With this post, I would like to add my perspective to that conversation, based on some recent thinking on human agency.

At a recent MyData2016 event in Helsinki, i was surprised how little the thinking about personal data stores has evolved since 2012, when i was myself deeply in the trenches of the topic of distributed data sharing.

It was a really great conference, well organized, cool audience etc, but like many conferences, it was the tribe talking to tribe, believers talking to believers, all thinking that their lens to look at things was the right one, with little or no contrarian view.

I wanted to be that contrarian, and challenge a bit the assumptions.

At the event there was a lot of talk about “PIMS”: Personal Information Management Systems, or personal data stores, or personal data “clouds”. I don’t want to have a discussion about the subtle semantics here.

At one moment, Jamie Smith from Ctrl-Shift – who i respect a lot – said something along the lines of “PIMS are all about giving people agency”.

I think that is a big illusion, and that was what my talk was about. The illusion that the problem is about taking back ownership and control of your data. And that a PIMS is the solution. I believe we are discussing the wrong problem and the wrong solution when talking about managing our own personal data at our terms and conditions.

Owning your own agency is more important than owning your data. That in essence is what my talk was about.

My presentation at #MyData2016 conference

UPDATE: here the link to the Prezi of this presentation. Because there is so much video in this Prezi it takes 2-3 min to load. Be patient 😉

The talk is part of a longer story of more than one hour, wandering through a whole bunch of philosophical, ethical and artistic considerations. At this event, i got only 20 minutes, and i told the moderator he could cut me off, which he did most elegantly (no pun intended) at the end of my presentation.

My agency vs. my data is a pretty big deal.

  • It is not about buying but creating
  • It is not about my data but my agency
  • It is not about privacy but about shelter
  • It is not about power asymmetries but relationship symmetries
  • It is not about MyData but about OurData

In that sense the GDPR (General Data Protection Regulation) is shooting at the wrong problem. In that sense our politicians and leaders in general are again outperforming in solving the problems of the past.

I got some good reactions after this talk, from Doc Searls saying “you gave the talk that i always wanted to give”, to somebody else sending me a tweet and a mail saying “your presentation has changed my life, i decided to leave Facebook after more than 10 years”.

There is such a strong tension between our actual reality and the desired reality that we are currently moving in some form of virtual or surreality. But as Magritte said:

“Surrealism is the immediate knowledge of reality”

And we feel lost. We escape and try to reconnect nostalgically to what was, and are afraid of what going to be. People focus on the surreality of their phones instead of real life.

People believe what is on their phones and PIMS is the reality, and are able to represent us as human beings. But as Markus Sabadello said at this event: “Technology will not be able to represent the full complexity of human beings”

Our devices and apps make us believe we are in control, because we now can “manage” our data and lives. But we are focused on managing life, rather than living it. That is our big illusion.

To summarise, I believe our plan and ambition towards our desired reality must at least have following components:

  • This space needs to be regulated. Regulation means setting ethical and moral norms, AND policing them
  • These norms must be ethical and moral
  • We must decide who sets these norms, who polices them, and who penalises/rewards good behaviour.

For that we must bring “Society-in-the-loop”, and not let this be decided by governments, corporations, or god forbid, algorithms

 

society-in-the-loop-iyad-rahwan

Society-in-the-loop by Iyad Rahwan

We must expand ourselves from a problem (efficiency) orientation to a creative (value creating) orientation, because the future is not about solving the past but knowing what you want and use mastery to make that happen.

Last but not least, we must be very much aware of the shallowness of the actual reality, and strive for high quality work with high quality attention and presence and meaning also called “Deep Work”

Maybe next year, they should call the conference #MyAgency2016;

Innotribe at Sibos 2013 – Big Data Track

Here is the third weekly update related to our 5th edition of Innotribe at Sibos in Dubai from 16-19 Sep 2013.

As you probably know by now, we’ve designed our programme like a metro map. Just like the underground or subway, it’s up to you to decide which “track” to follow, depending on your expertise, interests, learning objectives, and availability.

Innotribe_TubeMap-01

In this week’s post, we’d like to walk you through the Big Data Track at Innotribe@Sibos 2013.

Big Data track

Big Data is an industry trend that the Innotribe team has been monitoring for some time now. We had session about Big Data at Innotribe Sibos Toronto in 2011 and Innotribe Sibos Osaka in 2012.

People, businesses and devices are hyper-connected through highly pervasive networks, creating unimaginable amounts of information. What if we could tap into the intelligence and insights buried in these networks to devise better strategies for growth? This new environment will require extraordinary insight and adaptability.

This year, we’ll explore how you and your organization can derive new insights through Network Analytics from all the data that surrounds us.

Toolkit: Planning for Unpredictable Futures

Location: Innotribe Space

Day: Tuesday 17 Sep 2013

Time: 09:30 – 10:30

Another “Toolkit” session: an immersive learning experience to help you internalize the basic principles of scenario thinking in support of better future planning. This session will lead into the Network Insights session later that day.

scenario

Daniel Erasmus – one of the world’s most renowned experts on Scenario Thinking – will give an in-depth introduction to this methodology that helps making better decisions and sense of an unpredictable future.

After the intro, Fabian will relate this back to why this is relevant for our community.

We have designed a practical interactive exercise to familiarize the audience with scenarios of high impact, but low probability; this is all about getting comfortable with uncertainties in business.

Speakers:

  • Daniel Erasmus, Owner, Digital Thinking Network. Daniel brings the unique combination of scenario thinking and big data.
  • Fabian VandenReydt, Head of Securities Markets and Core Business Development at SWIFT

Big Data creates network insights for growth – Part-1 – What is Data?

Location: Innotribe Space

Day: Tuesday 17 Sep 2013

Time: 12:30 – 14:00

This is a highly interactive session, where we will let the audience discover the expanded definitions of what we mean with “data”. We will cover following dimensions:

  • What do we call data?
  • How do we see/visualise data?
  • How do we analyse data, how do we draw conclusions?
  • How do we layer data and apply pattern recognition?

We will close this part-1 highlighting the domains of applicability for our business: Fraud, Risk Management, Growth opportunities, etc. We will then move into part-2 about tools that can help spot us unknown growth opportunities or unknown threats.

Big Data creates network insights for growth – Part-2 – Overview of tools for growth.

Location: Innotribe Space

Day: Tuesday 17 Sep 2013

Time: 14:30 – 16:00

After having set the scene in the two previous sessions (“Planning for Unpredictable Sessions from 09:30 – 10:30am” and “What is Data? From 12:30 – 14:00pm”), we will demonstrate how different analytics and big data tools can be used to identify growth opportunities or unknown threats.

Newsconsole

In a very engaging story telling format, you will see demos, videos, animations and other explorations of the latest state-of-the-art tool for big data analytics and visualization. This is a high-paced session with 7 different showcases.

Speakers for Part-1 and Part-2 are:

  • Neil Bartlett, CTO And Head of Development of Risk Analytics, IBM
  • Daniel Erasmus, Owner, Digital Thinking Network
  • Matthew Gordon, Forward Deployed Engineer, Palantir
  • Walid Jelassi, Transformation Consultant, HP
  • Simon Small, Founding Director, Arria
  • Kimmo Soramaki, Founder & CEO, Financial Network Analytics
  • Michael Warner, CEO, Quantum4D
  • Special commentator: Fabian Vandenreydt

More information about the Innotribe@Sibos 2013 programme can be found in our programme Brochure (PDF flyer), on Sibos.com and of course Innotribe.com. The full Innotribe 2013 speaker list with bios is here.

By @petervan from the Innotribe Team

Dystopian Futures

On 10-12 June 2013, I was invited as a panel participant to the ISACA Insights World Congress. It was the second time in two weeks – the previous time was during a session at the Amplify Festival – that the panel was asked by the moderator what the future would look like in 2040. At Amplify the question was around the future of work. At ISACA, the question was even more open ended.

untitled-by-allison-mcd-on-flickr

Although nobody of course knows what the future will hold, and everything I say on this topic is almost wrong by definition, I believe I surprised my audience with my very dystopian view on the future.

Many seem to believe that the future will be “bright”, with lots of possibilities for hyper-collaboration, in open and shared spaces, where serendipities happen every minute, where hierarchies don’t exist anymore, sort of love-and-peace in a sharing collaborative back-to-Woodstock environment.

woodstock-poster-for-sale

That may be the case in 2020, but I think the picture will be less rosy in 2040. Already today, algorithms trade in matter of milliseconds, a real-time world that we as humans can’t even grasp, let only survive. Where those algorithms now work for stock trading companies, by 2040 we will most probably be “augmented” – at best – by our personal algorithms.

It will not be a nice picture to look forward to: by that time, we will be totally ruled by robots and algorithms, and we will have to fight – assisted by our “devices” – for that very last minute of work in a crowded world marketplace where we will have to compete at rates of 1.5$ per hour. And this for probably high-skilled tasks, as the rest will be taken over by robots: a “Present Shock” of technological presence, a world undone of human presence, a very disturbing place where we are ruled by algorithms working on our behalf, where betting on peoples future is the new normal, where siren server masters raise interest fees on the mortgage of the personal success/failure of the data slaves.

The Singularity will have happened, but in quite a different way, in a way that technology owns us, eats us, swallows us, not a singularity of jolly happy people being more intelligent or augmented. A world of technology versus machines, where technology will dictate what it wants from us (See also Kevin Kelly “What Technology Wants” – with Kelly being the technology optimist he is – and Jaron Lanier “Who Owns the Future?”).

What we have witnessed during the last weeks’ revelations represents a true tipping point. Where we still may have had the illusion that we could empower ourselves, take charge, we will be at best be empowered by other powers: a new dystopian world where authoritarian technology rules, an authoritarian singularity, where we are reduced to data slaves of the new data masters.

As part of the Digital Asset Grid (DAG) project (an Innotribe project stopped after its incubation phase, and given back to the community), I have written in the past about the “Catastrophic Complexity” that is emerging right now through the explosion of the number of nodes on the grid, ànd the explosion of data. Where these data are more and more stored by “Siren Servers” – a metaphor used by Jaron Lanier – and where the DAG proposed a 100% distributed model of data storage in personal or corporate clouds, but with a choice of appropriate Trust Models, so that we don’t end up in another worldwide west. Indeed, with the advent of trillions of nodes on the grid, we will require a new kind of species, a new kind of architecture, but more importantly a new type of governance.

camel

I am also getting more and more disturbed by a sort of “over-glorification of technology. This may be surprising as a “Techonomist”, where the belief is that technology will enable a new philosophy for progress – I still believe that – but we need some solid healthy criticism in the debate.

techonomy

When I read this week in The Guardian – a quality newspaper, right? – about the “gadgetry and behavior concepts for the 21 century” and the related comments that these are “super important” new behaviors, I believe we are missing the point; we need to counterbalance all this excitement with way more attention for humanizing our businesses.

I am afraid we are slipping into an “Authoritarian Surveillance State” as described in Washington Post, or even a “Techtarian State” as articulated by Stan Stalnaker in The Huffington Post.

To understand what’s really going on, let’s looks at some understreams that cause the waves of change at the surface. I have split them in technological and more societal changes:

  • Technological:
    • SMAC: Social, Mobile, Analytics, Cloud
    • Platforms and APIs leading towards the end of highly vertically integrated organizations, and where the new skill becomes horizontal sourcing of pin-point functionality
    • Explosion and loss of control of data.
    • Explosion of Cyber-threats
    • Our identity schemes not keeping up with the sheer explosion of nodes, hampering our security, as the internet was never built with identity in mind
    • Disintermediation through hyper-connectivity (example Über)
  • Societal
    • Erosion of Privacy
    • Platform, everything as a service
    • New economies (P2P, Sharing, Reputation,…)
    • New expression of value, currencies, assets, cred, influence, reputation,
    • Crowdsourcing everything (credit cards, funding, investing, lending, mapping, reputation, …)

We probably most underestimate this trend of crowd-everything. There is something deeper going on: this is really about the use of external power to scale; think platform, using crowds as change accelerators, like developers for building on your APIs, but now through users. Google recently acquired Waze for 1B$ !.

waze

The industrial scale application of crowd is very much a “Singularity University Meme”, says Haydn Shaughnessy in Forbes.  Crowd-recording, crowd-sensing, crowd-data collection, more eyes and ears and sensors, through Waze, through Glasses, etc. It’s clear some parties want way more data to be available,  searchable, to be monetized, with us working like slaves to provide all these data for free. We evolve from democracy to “crowdocracy”.

Our near future will witness the “fragmentation of everything”: the fragmentation of work, of applications, of hierarchies, and states giving in to power data houses, data guerillas, pods, and cells.

We will see the “asymmetry of everything”: asymmetry of transparency, of search and computing power, of concentration of data. This will lead to power unbalances, to surveillance mania, to loss of freedom of speech. Already now the recent developments makes me more selective on what I tweet and share. The only way out is a 100% distributed system, but I am afraid that it is already too late for that and that our future is already owned by Jaron Lanier’s “Siren Servers”

We already see the “exceptionalism of everything”, where the exceptions become the norm: events such as stock exchange black swans become the norm. We take for granted the exceptional qualities of uber-people like Marissa Mayer, Zuckerberg, and other “heroes”.

We are “attacked by everything”: our secrecy is attacked by Wikileaks, our privacy by Siren-Servers, our security by cyber-attacks, our value creation by thousands of narrow innovations at the speed of light. All this happens at the speed of light, at “Un-Human” speeds, runs on a different clock, lives in another world.

We seem to live in a “perpetual crisis”, jumping from one incident to another, where there is no room anymore for building a story with a begin, middle, and an end; no room for reflection, no room to assess and scan the waves of change on the surface of the data ocean.

The world enters into a complexity

that cannot be addressed anymore

by conventional binary linear thinking.

 

We need new tools, capabilities, and ways of thinking, more non-linear, be prepared to open up for more options. These new tools are about forecasting and assessing in different ways (scenario thinking), decide our options in different ways, design thinking in context with intent and within constraints, and richer ways of expressing our options through visual thinking and other techniques more leveraging the human senses of color, sound, smell, trust, sensuality, presence.

We have come at a point where our only options out are a revolution of the data slaves and evolving as a new kind of species in the data ocean, trying to preserve what makes us human.

I have no clue how we can avoid this dystopia, but we will need a new set of practices for value creation; where data slaves dare to stand up and call for a revolution; where value creation and tax declarations go way beyond being compliant with the law; where we see the emergence of ethically responsible individuals and organizations. But it will be very difficult to turn back the wheel that has already been set in motion several decades ago.

The Programmable Me: we are all nodes in the grid

The last couple of weeks I have been aroused with many ideas and reflections on Personal Digital Assets and on Digital Assets in general.

The journey started some weeks ago with my prezi talk at TEDxNewWallStreet and included my participation to the WEF “tiger team” on Personal Data, where a group of 30 experts are looking at what is needed to make realize the vision of Personal data as a new economic “asset class”. Personal data created by and about people, touching all aspects of society. That group is stitching the pieces together for a framework of business, technical and legal elements that are needed to underpin this vision.

However, the following video from Kynetx was the big aha-moment during my 4-weeks tour on the subject.

I never thought of a Personal Data Store as a “Personal Event Network”.

This changes everything ™

indeed as Phil Windley (@windley), CTO of Kynetx says.

One years ago, there was this beautiful video animation by David Siegel (@pullnews), a great vision of distributed nodes of personal data content talking to each other through API’s.

In the meantime, there is a rich ecosystem of start-ups that are building something very similar as we speak.

Maybe not yet to its fullest grand vision, but definitely going way beyond the traditional concept of a “personal data store”.

Check out leading start-ups such as Personal.com. Btw I dream of one day seeing an integration of Personal.com with an on-line bank. Anybody needing a brokering service here ? 😉

What Kynetx is adding to the mix are three important things:

  • the “event” based thinking
  • the prototol for the data-web
  • Cloud Operating System

Event based thinking:

He really nailed it down for me last time I met him:

  • In the past we had RPC (Remote Procedure Calls), in essence fire and forget
  • Then came request/response: you ask for something, and you get it
  • Now there is the “event-signal”. It does not ask for something, it just says “something’s happened”, and any entity in the network can subscribe to the event and decide itself to do something with it.

Protocol for the data-web:

The other aha-moment was when Phil was doing his talk at the New Digital Economies conference on 27 March 2012.

For those who remember, in the past we had silo-d email systems. AOL, Compuserve, etc. They did not interoperate. We got rid of those silos when there was a standard protocol, allowing competing commercial and open source servers to talk to each other in SMTP.

We now see the same with data, personal data, social graphs. We have data-silos (Facebook, Google, Bank systems, Health systems, Government systems, etc). What we need is a “Data-Server” and a “Protocol” that allows these data servers to be interoperable.

Cloud Operating Systems:

Phil has explained all this beautifully in a series of blogs on www.windley.com and I get very inspired when he makes a call for thinking about personal clouds as “cloud operating systems”

All this, Phil calls “The Live Web” (Amazon Associates link). He is so excited about this that he has written a book about it.

In other words, start thinking about your “Personal Data Locker” become a “Personal Event Cloud”: your personal data-server in the cloud that can talk and do things on your behalf, can make decisions, interpret rules, etc…

And it can talk to any entity, any node in the web (or at least nodes in any discoverable namespace). In real-time. In multiplexing mode (meaning the node can be both a server and a client).

It suddenly dawned to me that over the last years we have been hyping “The Programmable WEB”, and that if we are serious about customer centric identity or “customer centric” or “personal” whatever, we may wish to start with the “me”.

Suddenly it was flashing in my brain: “The  Programmable Me”

“Me” is becoming a node in the grid. We are all nodes in the grid, sending and receiving signals. Like neurons passing an electrical or chemical signal to another cell. And start thinking “synapses” when you talk about the API’s of your Programmable Me.

From Wikipedia:

Synapses are essential to neuronal function: neurons are cells that are specialized to pass signals to individual target cells, and synapses are the means by which they do so”

The APIs of your “Programmable Me”, of your Personal Event Cloud are indeed the means to make all these nodes interoperable.

Add to this the graph-thinking of Drummond Reed (@drummondreed), Co-Chair of the XDI/XRI Technical Committee of OASIS. Check-out http://wiki.oasis-open.org/xdi/XdiGraphModel and more specifically some of the Powerpoints out there:

Each circle in this drawing represents a node in the grid. I really encourage you to look at this as a graph – this ensemble of inter-connected nodes – as something 3-dimensional, possibly multi-dimensional.

We have all been trained to think hierarchical. Flat files with a root, that sort of thing.

We have to learn to think in graph-models.

You can start anywhere in the galaxy. Every point can be the center of the universe. There is no root. At least, not in absolute terms. Yes, in relative terms with respect to the other nodes in the universe…

A grand vision starts to develop when you realize that the nodes can be any type of entities:

  • Humans (or their agents)
  • Circles (like Google Circles) of humans (entities without legal form)
  • Corporations, non-profits, governmental or educational institution (aka organizational constructs of humans with specific legal form)
  • We should also include less traditional forms of organizational constructs such as co-operatives, P2P communities, Commons,…
  • Programs (yes, software code), that perform tasks on behalf of the entities above or that operates as fully independent entities.

Each of these nodes/entities can participate in transactions – or better, “value dances”. “Dance” because the protocol is multiplexing, not one-way request-response.

Of course all these entities will require identity, in the broadest sense, not only URI or ID number, but in the sense of a spectrum, a graph that can be shared in context with other nodes/entities.

Sharing the spectrum becomes the essence of trade

What we are witnessing is a 180° turn in the power balance between client and server, slave and master, buyer and supplier, consumer and merchant.

All entities are equal.

We are all equal

Doc Searls (@dsearls) has written a book about it. The Intention Economy. (Amazon Associates Link)

But look at the subtitle: “When Customers Take Charge”.

I like Doc a lot, but his subtitle may suggest that somebody else is in charge: the empowered customer. I am afraid that we may end-up with another un-balance, where the pendulum has swung the other side: where the customer has an unfair data-advantage versus the merchant. But let their be no doubt that today the merchant has the unfair data-advantage, and I read Doc’s book more like a plea for getting the balance right rather than a socialist rant against establishment represented by the “big boys”, the vendors, the merchants, the silos like Facebook and Google.

In all the discussions about the Empowered Customers, we see classic commerce use cases like buying a book, buying flowers for grandma, etc

But I would like to make the jump to truly balanced financial transactions and what “dances between equals” would mean in that space. I invite you to think about your bank as the merchant, the merchant of financial services, and the consumer as the retail or wholesale customer of the bank.

In such scenario, the fundamental shift in thinking already happens at the Point of Sale (POS). We even have the question the term “Point of Sale”. It stems from an old thinking where the merchant “owns” the customer.

YOU are the point of sale

YOU are the point of data integration!

In the past the POS was the master,

now it will be YOU who is in charge,

or your agent,

the “Programmable Me”.

What if we start thinking about banking where YOU are the point of data-integration? What if your bank would offer you a service that enables you to manage your Personal Event Cloud?

I don’t know how it would look like, but it probably would be something triggered from your mobile phone. It probably would look like one of the Next-Gen banks (Simple, Movenbank, Fidor) with a Personal Event Network out-of-the-box.

Some of these Next-Gen banks are already accepting the CRED of your Social Graph as a much richer (in all senses of the word) basis for “Know you Customer”. Although we probably also have to inverse that: from the captive notion of “know your customer” to the user-centric meaning of “know your bank”. Then we may come back to the “primitive” of the meaning of “bank”: a bench where two people meet to build a relationship of value.

So, the discussion is NOT about the next coolest thing for doing a copy-cat of existing money-transactions through the latest greatest gadget like NFC or Bump, or whatever.

Some of all this already permeates in a recent Techcrunch article suggesting the “NFC is already out-moded”

“The thing to keep in mind here” says Crone, “is that NFC was developed more than 20 years ago. It was first deployed 10 years ago. 10 years ago, we didn’t have ubiquitous access to data plans. We didn’t have more smartphones in circulation than feature phones and we had to depend on an ‘offline’ connection for processing payments. But now, there are 124 million households that have more than one device connected to the internet. Typically, that’s a smartphone, but very quickly it’s becoming a tablet.”

Also Christopher Carfi (@ccarfi) starts thinking in this direction in his recent post “Musings in Small Data”.  In there, he refers to a video of Jerry Michalski (@jerrymichalski) of the REXpedition doing a demo his “Personal Brain”. (Disclosure: I am member of the REXpedition). The video is titled “Gardening My Brain” and the talk was given at Personal Digital Archiving on February 22, 2012 in San Francisco.

It’s a pity that this talk is in the context of a personal digital archiving conference. Because, in my opinion, we have dramatically evolved from archiving to sharing.

Sharing of information and digital assets is becoming the new normal in this world of Abundance of information.

Christopher Carfi nails it when he says:

As these issues become more widely understood, more individuals will be tracking their own information. Perhaps it won’t be to the level that Jerry has done it in the video above, but it will be happening. This means that we, while wearing our business hats, will need to be developing real relationships with our customers. We need to listen to what they are saying, what they are asking for, and working collaboratively with them in order to help them fulfill their needs. In the best cases, we’ll have built up levels of trust with our customers and will have been given the explicit permission to access our customers’ personal data stores. In doing so, we’ll be able to actually take the guesswork out of the equation that was noted so clearly above in the Facebook example and will, instead, be able to connect directly with our customers’ intentions and deliver value on their terms.

Creating an economy based on the principles of relations is of course at the heart of the REXpedition. It is probably the next territory for competitive advantage beyond the mundane money transaction.

All this is about creating “Relationship Channels”, channels the vendor can tune into of the user has opened the channel.

All the above are of course very much related to our Innotribe incubation project “Digital Asset Grid” (DAG), which is about the sharing of any digital asset with any party.

All of the above is also very relevant to Mark Pesce’s (@mpesce) thinking about “hypereconomics”, described in one of my previous posts “The future rarely arrives when planned”.

The real question is then: “Where will value be created when all the connections between nodes have become frictionless?” Mark has some ideas on this, and he describes them as “irreducibles

No matter how ‘smooth’ and frictionless hyperconnected commerce becomes, certain frictions in the business world will persist.  These represent both speed humps and opportunities.  The businesses of the 21st century will find leverage and differentiation by identifying and exploiting them.”

What those “irreducibles” are, you will be able to discover at our upcoming Innotribe event in Bangkok on 26-27 April 2012, where together with Mark Pesce we will have some great interactive learning experiences. Be there, or read the report that we will make on this post-conference.

If you really want to take a meta-view on all this, I believe all the examples above illustrate our species being in search for a deeper meaning, a thicker value in everything we experience:

  • We are in search for a higher level of consciousness, a further evolution in Spiral Dynamics, in search for a richer value system, much richer than the pure transaction world that is the narrow lens of today
  • We start looking at companies being nodes in the grid, in fair-trade constellations of equals, trying to maximize the commons and contribution and giving back to society
  • We want to go beyond the “advertising” thinking of “let’s hit the target with an ad”. We are in search for a better world with more Thick value and less Thin value
  • We are starting to see the emergence of “The universe as a Computer” as wonderfully described by Nova Spivack (@novaspivack) in one of his milestone posts last month.

All the above is about defining, articulating, and living lives of greater meaning. With the “M” of meaning. Umair Hague (@umairh) already in 2009 called this “Generation-M”, which in essence is anchored in “constructive capitalism”

Generation M is more about what you do and who you are than when you were born. So the question is this: do you still belong to the 20th century – or the 21st?

I would like to close with a reference to The Wellbeing Revolution (Amazon Associates Link) by James McWhinney (@JamesMcWhinney).

What I liked about this book is that it encourages you to look at where you are in your life, and to look at it through the “M” lens. The lens of meaning.

I then discover that what I am writing today, what job I am doing, who I am married to, was probably all meant to be this way. Not “meant” in a deterministic way. No, “meant” as everything I have done, the decisions I have made, my architecture studies, my infection by the identity virus, my journey in Leading By Being, etc… all these things have made me who I am.

What if I could capture all this richness about me, and have a tool and an infrastructure to share that on my terms and conditions, in context, and with the parties or nodes in the grid that I choose to? What if I could share my meaning in a programmable way?

I would end up with something called “the programmable me”

By @petervan from the SWIFT Innotribe team.