Petervan Artwork © 2019 - 3D Sculpture in Forger for iPAD Texture own painting acryl on canvas 50x50cm
Petervan Artwork © 2019 - 3D Sculpture in Forger for iPAD Texture own painting acryl on canvas 50x50cm

An irregular update on what happened since my previous August 2019 post and some updated plans. With lots (!) of images and videos 😉 Looks like I have been busy, but it did not feel that way.
The Artschool Project
The Artschool academy year started again in Sep 2019, and I decided to do a cross-over year combining Painting and Digital Visual Arts. Progress has been a bit slow as I need to find a good rhythm to combine these two areas, and the abundance in creative apps has overwhelmed me a bit, to be honest. Some examples:
Canvas work

Petervan Artwork © 2019 – Dancers – Acryl on canvas – 50x50cm

Petervan Artwork © 2019 - Abstract#1 – Acryl on Canvas – 120x100cm
Combined Canvas-Digital work

Petervan Artwork © 2019 – The Boxer – Canvas and Digital – 50x50cm
Videoscapes
Some other videoscapes here (playlist):
With thanks to my Academy coaches Chris, Inge, and Patrick
Time Capsules Project
The Time Capsules Project (see my previous update) is still on hold. The plan is still to have at least a prototype of our Beyoncé project, before further engaging with other commissions
Delicacies
Delicacies is an irregular, unpredictable, incoherent, unfocused publication of mind-sparks that got me thinking. There have been three issues of Delicacies since Aug 2019. Check-out them out here:
https://www.getrevue.co/profile/petervan/issues/petervan-s-delicacies-issue-124-188170
https://www.getrevue.co/profile/petervan/issues/petervan-s-delicacies-issue-125-193906
https://www.getrevue.co/profile/petervan/issues/petervan-s-delicacies-issue-126-205279
Blogs
I published a number of reflections related to ambiguity, worlding, and hierarchies:
https://petervan.wordpress.com/2019/08/09/on-the-ambiguity-of-kayakers/
https://petervan.wordpress.com/2019/08/17/imagining-worlds-you-believe-in/
https://petervan.wordpress.com/2019/08/24/who-is-the-composer-who-wrote-the-score/
https://petervan.wordpress.com/2019/08/30/breaking-hierarchies/
https://petervan.wordpress.com/2019/10/30/ebb-and-flow/
I also queued up a huge list of reflections, and there are some juicy pieces in preparation for identity and – what is he now thinking – about “foam”. I will try to post them at a rhythm of 1-2 per month.
Petervan Rides
Lots of fun putting together some monthly Spotify Lists. Most fun when you choose shuffle play:
Petervan Ride July 2019
Petervan Ride August 2019
Petervan Ride September 2019
Petervan Ride October 2019
Petervan Ride November 2019
https://open.spotify.com/playlist/0I3BQot79HxMHF0gHd0VmE?si=l0FFPNl8R9Sbs9YL6YsCPQ
Petervan Mixes

https://soundcloud.com/peter-vander-auwera/petervan-mix-james-brown-david-bowie-25-nov-2019
Mix by Petervan Scapes © 2019 – With algoriddim DJ Pro Version 1.4.5
More music
Check out Neil Young’s book “To Feel Music”: the book is related to his efforts to let you re-discover high-res sound, as most existing streaming services only offer low quality sound. These days, young people who never heard vinyl analog sound through a decent HiFi kit, have no idea what really good sound sounds like. Neil Young wants to fix that.
With his book and the Neil Young Archives, you can enjoy again his full collection and much more in high-res. There is also a dedicated App for iPhone, iPad, and Android, but the best listening experience is on your PC/Mac connected to a good amplifier and speakers. Highly recommended.
Visual Collisions
I started collecting a number of “visual collisions”. Most of these are videos, a minority are pictures. These visual collisions are intended to de-frame an audience before introducing something new.
Check out this YouTube Channel:
New toys
I added some new toys to my studio, most of it is software (and most of it free of charge, at least for art students):
Books
I have been reading quite a lot. Noteworthy are “The Aesthetic Imperative” by Peter Sloterdijk, and “How to Speak Machine” by John Maeda.
I am fascinated by Sloterdijk’s “Foams” (more about that later)
„Foams „completes Peter Sloterdijk’s celebrated „Spheres“ trilogy: his 2,500-page „grand narrative“ retelling of the history of humanity, as related through the anthropological concept of the „Sphere.“ For Sloterdijk, life is a matter of form, and in life, sphere formation and thought are two different labels for the same thing. The trilogy also together offers his corrective answer to Martin Heidegger’s „Being and Time,“ reformulating it into a lengthy meditation of Being and Space — a shifting of the question of „who we are „to a more fundamental question of „where we are.“

The absolute #1 recommendation is Sad by Design by Geert Lovink. If you want to go beyond the worn-out opinions of Silicon Valley libertarians vs. Humanity, this is your book.
You can find a link to all the books I am reading in my Goodreads
Exhibitions
I visited a couple of art exhibitions:

Sarah Baker – Portrait of Bill May – Museum Dhondt Dhaenens End Aug 2019 – Picture by Petervan
Lace is more – PiKANT exhibition about Lace in Aalst. Video and soundscape by Petervan

Jannis Kounellis – Untitled – 1983 - Arte Povera – SFMOMA Nov 2019
My own exhibition

Angel in Chapel of Mater Location of my upcoming exhibition end May 2020
Since I started academy some years ago, I produced something like 500 drawings, paintings, sketches, soundscapes, and video experiments. Many have asked whether I even thought of setting up an exhibition of my own work. That’s going to happen end May – beginning June 2020:

Location: Chapel of Mater (a small village in the Flemish Ardennes, Tour de Flanders territory)
For regular updates on this exhibition via a mailing list, you can subscribe here.
Outdoors
Great summer morphing into rainy Sep-Oct-November. Not too bad. We visited a vineyard close to Aalst (Belgium) and biking tours continued at irregular intervals; small distances (20-40 km) at a very low speed. Maintenance of the garden also kept me busy. I have about 150 meters of hedges (x2 both sides), so by the time you get to the end, you can start again 😉

Vineyard in Aalst, Belgium - August 2019 - Picture by Petervan
Life of a Sunflower from 26 Aug till 30 Sep 2019 - Montage by Petervan

Bike tour along a very green Dender (river crossing Aalst)
Freelance
Main project was a leadership immersion for a client that took us to Shenzhen and Hong Kong the first week of October 2019. Think of an Innotribe @ Sibos but then in a intimate retreat format for small private audiences; with artists of course. A good example of Imagining Worlds That You Believe In – aka “Worlding”, a term coined by Ian Cheng in his book.

Hong Kong Peak Tram Oct 2019 – Picture by Petervan
Reflections
Retirement is coming closer. I will be officially retired as from 1 May 2020. Not that I plan to stay idle, on the contrary. Within limits, I will stay available for interesting freelance work and plan to stay very focused on my artwork.
In other words, no time for too much social media engagement (I put some blockers on most of my devices) or making selfies.

Graffiti in Ghent Citadel Park 16 Sep 2019 – Picture by Petervan
All the above helped me getting sharper on what I am and what I do: create artistic interventions, interruptions, and provocations that lead to higher states of alertness and aliveness. Formats can be analog and digital artwork, performances, writings, poems, blogs, installations, exhibitions, immersions, soundscapes, recordings, documentaries, and time capsules.
So, what’s next?
The plan for Jan – Mar 2020 is to work on:

As you can see, a labyrinth of choices. The red thread may be the solution: stay hungry, stay foolish, stay focused.
So, that’s it for this edition. If there is something worth reporting, the next update is for Apr 2020.
Merry Christmas and Happy New-Year!
Video play with Videoleap by Petervan – Music James Brown “I feel good”
Warmest,


Petervan Artwork © 2019 - Abstract#1 - Acryl on canvas - 100x120cm
Petervan Artwork © 2019 - Walk In The Park Video mix based on Insta360 One capture
Petervan Artwork © 2019 - iPhone 11 Pro - Soundscape in Garageband
Petervan Artwork © 2019 - Insta360 ONE camera - Soundscape in Ableton Live

For those interested, here is an overview of what happened in the last couple of months, some new insights, and some updated plans. I often hesitate to publish these snapshot-updates, because 1) they are snapshots only and don’t connect you with the day-by-day journey, 2) plans change over time, and 3) I always wonder who would be interested in this at all. Maybe it’s a way to give some counterweight to some form of imposter behavior.
The Artschool Project
Compared to the previous period, my production of paintings was relatively low. I continued my birds-project, and painted/sketched probably hundreds of birds, in small and big format. I internalized the shape of the bird in a way that it almost becomes a calligraphic artifact

Petervan Artwork © 2019 - Birds - Acryl on Canvas - about 40x60cm

Petervan Artwork © 2019 - Birds - Acryl on Canvas - 120x100cm

Petervan Artwork © 2019 - Birds - Marker on Post-It - 7,5x7,5cm
Next is to make a big work of 720 calligraphic birds, on a grid of 24×30 boxes of 5x5cm
And just came across this video
With this great still of what else I could do with birds:

Other paintings and sketches include “Fox-on-the-Run”, “Doorway”, “Interior”, and “No Title”, all Acryl on Canvas – Format 50x50cm




The academy year ended in June, and for the 4th year students, this meant showcasing your work to an external jury. I got some juicy comments but passed.
The last year, I also followed the course “Art and Culture” by Fiorella Stinders, whose enthusiasm is contagious. I will make a separate post on this, but suffice to say here that we had to apply what we learned about seeing and understanding art to 3 pieces of art: two selected by the teacher (I picked Ali’s Boat below), and one self-selected artwork that you had seen in real life.
Artschool will start again on Sep 2019, and I will start my 5th year painting. This year, I will combine it with Digital Visual Arts. They call it a “cross-over”.
Time Capsules Project
The Time Capsules Project (see my previous update) is a bit on hold. We (my cousin and I) had some good interview with possible candidates. We got a very interesting intro to an art collector living in a castle in the Austrian Alps.

We have a draft proposal ready, but we first want to have at least a prototype of our Beyoncé project, before further engaging with this Austrian patron.
Delicacies
I decided to change the format of Delicacies somewhat. Instead of the weekly deluge, I see an irregular, unpredictable, incoherent, unfocused set of mind-sparks that got me thinking. I gather them as I go, and once every month (maybe every two, three months), I condense the harvest in maximum 5-10 Delicacies. Also a bit back to the joy of discovery and awe, away from the pressure to pump out a too bulky newsletter every week. Hope you find the same joy in reading as I did in discovering.
Check-out the new format here.
Blogs
Blog rhythm was slow. That’s an understatement. However, I queued up a huge list of reflections. I will try to post them in short blogs, 1-2 per month.
Mixes
More playing. This time playing around with DJ Pro for Mac. I finally discovered how to mix audio and video. With hindsight, I could as well have done this in iMovie or Adobe Premiere, without the luxury of tempo-synching.

Petervan Mix of Robyn and Lil' Louis
I am considering the idea of sharing on a regular basis some of my mixes. The working title for this project is “Petervan’s Rides”.
Visual Collisions
For a client project, I started collecting a number of “visual collisions”. Most of these are videos, a minority are pictures. These visual collisions are intended to de-frame an audience before introducing something new.
Currently, the list includes almost 200 video snippets. Here is an example snippet:
Books
I have been reading quite a lot. Some books on design such as “Design Unbound Volume 1 & 2”, and “Speculative Everything”.
I also liked a lot David Weinberger’s “Everyday Chaos”, James Bridle’s “New Dark Age”, Paul Mason’s “Clear Bright Future”, and the fantastic memoirs of Marina Abramovic “Walk Through Walls”.

The absolute #1 recommendation is Ian Cheng’s “Emissary’s Guide to Worlding”. The quote that drove me crazy was:
“A World is a future you can believe in: One that promises to survive its creator, and continue generating drama.”
You can find a link to all the books I am reading in my Goodreads.
Exhibitions
I visited some art exhibitions: The SMAK Anniversary in Ghent (still running till end Sep 2019, and Wim Delvoye in Museum of Fine Arts in Brussels (just closed end of July 2019)
Wim Delvoye - Embossed Maserati Royal Museums of Fine Arts, Brussels

Korakrit Arunanondchai Letters to Chantri #1 - SMAK Ghent 2014 video and digital projection (colour, sound), mixed media
My own exhibition
Since I started academy some years ago, I produced something like 500 drawings, paintings, sketches, soundscapes, and video experiments. Many of you have asked whether I even thought of setting up an exhibition of my own work. Well, guess what? That’s exactly what is going to happen begin June 2020 (exact dates to be announced). The challenge will be to make a selection of what to showcase. I have secured a wonderful location somewhere deep into the Flemish Ardennes.
Outdoors
Great summer so far, with a couple of solid heat waves. Getting a nice tan, as maintaining the garden and biking keep me busy. I have about 150 meters of hedges (x2 both sides), so by the time you get to the end, you can start again ;-)? And biking tours are semi-regular small distances (20-40 km) at a very-very low speed.

Astrid ignoring Flying Arrow Warning in Tillegembos - Brugge

Tour De France - Belgian Surrealistic Chocolate Advertisement
The Tour de France 2019 was also close by. A romantic impression of the passage in East-Flanders.
Freelance
Begin 2019, I started doing some freelance gigs.
If you look carefully, you see me somewhere in the back. Good to see some friends there as well (shout out to Ioana and Innes!).
All the above helped me getting sharper on what I really want.
Reflections
Retirement is coming closer. If all goes well, I will retire on 1 May 2020. What will I do with all that free time? I wrote about “The Perfect Day” in my post “Freed from Desire”
But Ursula K Le Quin challenged me in her book “No Time to Spare”
“Life out of the rat race, but still in the comfort zone, can give the chance to be in the moment, and bring real peace of mind.”
It feels I already made the great switch in 2018 when I left corporate life and started doing the things I really love doing in and with my life, following what inspires me: art and reflection. You can already witness the shift in the articles I queued up for Delicacies. With that background, a good summary of what I do could be:
I create artistic interventions, interruptions, and provocations that lead to higher states of alertness and aliveness. Formats can be analog and digital artwork, installations, performances, writings, poems, soundscapes, recordings, and time capsules.
Petervan Studios
This strange mix of formats – or “containers” as Ian Cheng calls them in “Emissary’s…” results in different practices or studios (plural). That’s why I am starting to brand my collective work as “Petervan Studios”. I switch from the easel to the audio mixing panel, to digital drawing panels, Adobe Premiere, iMovie, Ableton Live and Ableton Push. I now also installed an architect drawing table and chair (found them for FREE on a second hand website), additional lavalier microphones for better audio quality in videos, and some extra tripods for stable imagery.
Looking at the mess, it’s time I commission some studio renovation works: it will include some fresh paint, some better lightning, a huge whiteboard for brainstorming, a quality projection screen, and a shower.

Petervan Studios - The place starts looking very messy now
I also discovered an interesting piece of software called “Descript”, a tool for automated transcripts, and simultaneous editing of text, audio, and video: amazing.
So, what’s next?
The plan for Aug – Oct 2019 is to work on:
So, that’s it for this edition. If there is something worth reporting, next update is for Oct-Nov 2019.
Warmest,

I just started reading the briefing for the 2019 exam Art & Culture of the Art Academy in Ghent.
The briefing is so well written – it almost feels like poetry – and it touches some deeper qualities/sensitivities in myself. Qualities/sensitivities that I have neglected for much too long and will keep neglecting as long as I work.
I long for stillness, disconnectedness, alertness, and expression. The keywords are rest and space to breath.
The idea of craftsmanship and the mastery of a technique is becoming more and more seducing. The seduction of exclusive, un-watered noise-free focus.
What is the core of “me”, that part that always stayed the same since I was born? How does that core feel? Soft? Aggressive? Sensitive? Sensual? Seductive? Reflective? Liberated?
(Almost) nobody gives a shit about me and my work and that is at the same time very liberating: it means I can do what I want. I can create what I want. I can create what wants to be created.

Petervan Artwork © 2019 - No Title - Acryl on Canvas - 50x50cm

Petervan Artwork © 2019 - Wasspelden/Clothespins - Acryl on Canvas - 50x50cm
I have been thinking about “digital” (identity) for a while. Way back in 2003, I got infected by the digital identity virus at Microsoft in a research project related to the launch of the Belgian Electronic Identity (eID) card, a project that led to executive sponsorship of Mr. Bill Gates himself and meeting forward thinkers like Kim Cameron and many others smart people at Microsoft Research.

Later, as the project leader of the Digital Asset Grid (a prototype research project at my previous employer SWIFT/Innotribe), we were investigating distributed sharing of data by independent trusted nodes (one would call that blockchain these days).
Future Scenario from the Digital Asset Grid Filmed & Produced by Heather Vescent
The project never survived the prototype stage, and although the project was really about sharing any kind of data (and not only personal data), it gave me a seat at the WEF Personal Data experts group. I stayed in touch with many of them and tried to follow the space.

Then in 2012, I wrote a blog post titled The Cambrian Explosion of Everything, still one of my most read and commented posts since the start of this blog.
I kept being fascinated by the subject and developed a metaphor where the user would own their data, as if the user would be encapsulated in a Buckminster Fuller sort of sphere, and would be able to share different facets of their outer sphere (their data) and be in control of who they share it with and in what particular transaction context.

That is, in essence, the VRM concept (Vendor Relationship Management), a set of tools that would give users the tools to manage their vendor relationships, just like vendor manage their customers with CRM (Customer Relationship Management) tools.
My thoughts have definitely evolved since then, especially because I always felt there was a mismatch in trying to mimic 2D identity concepts of the off-line world into the more complex 3D online world. The only thing people were trying to do was to create a digital equivalent of a physical real-world identity card, basically only a representation of an account number, or a social security number, or a government-issued ID.
I recently bumped into a presentation by David Birch of Consult Hyperion, and I was fascinated by this slide:

The eID card was and still is nothing more than a “digitized” identity. The Belgian government recently decided to add a digital fingerprint to the card. Besides a privacy nightmare, this move won’t help: the card will remain static, dumb, stand-alone, etc and a misnomer in a multidimensional on-line world.
What if we pushed our thinking about true digital identity? What metaphors would help us understand what is needed? What is the new and future context for this?

Petervan Artwork © 2018 - Zuckerberg Prison Cell - Digital Mix
Some of my new metaphors are inspired by my recent artwork on prison cells and labyrinths. I am thinking about identity and data sharing in terms of “signatures”, “maps”, and “labyrinths”.

Petervan Artwork © 2018 - Labyrinth - Acryl on Canvas - 100x120cm
In essence, I believe we have to expand all dimensions of entities, data, and transaction context. In addition, we need to become more aware of a different type of scale. We have to start thinking about trillions of entities, sharing all types of data in real-time transaction contexts.
I believe that somewhere in 2012-2013 we lost the time window for VRM in its implementation as personal data stores in the cloud. There is so much data out there now (at FB, Google, your bank, your retailer, your hospital, etc.) that it is an illusion we will ever get back control over it. And even if we would be able to do that, the idea of a user taking the pain to pull the levers of control of their personal data locker is just ridiculous.
Open Banking and PSD2 may give us a hunch: what sort of new services would be possible to develop if banks (and by extension retailers, FB, etc) were forced by regulation to open and share their data. Not new services like a personal data store (PSD), but something more integrated with the daily experience.
For example, I don’t use my credit card to make payments, I use it to buy stuff. The credit card just works under the hood to give me a convenient buying experience. What would be the equivalent services enabling an experience like “I just buy stuff” when Open Banking and PSD2 live up to their promises?
Many are confused by the privacy focus on personal data sharing. By now, I tend to agree that privacy does not exist online. I think privacy only exists in the off-line world and in the unspoken word/thought, not in what is being shared (intentionally or non-intentionally)
Privacy has to do with The Unspoken Data. In The Crisis of Intimacy in the Age of Digital Connectivity, Stephen Marche says:
“In an all-sharing world, what we don’t share will define us. The secret will be irrelevant because it is not on the network. It will be the part of us that matters.”
The DAG/Holochain/Solid/etc projects of this world won’t solve this. I don’t know what would solve it. I don’t know whether there is a problem to be solved.
“It can not work because we can’t own information”, says also David Brin.
The more critical question is “What kind of world do we want to live in?”, as in Apple’s CEO Tim Cook’s speech to the EU in Nov 2018.
He talks about “Human-centered technology” in the era of surveillance and misinformation. It is a call for regulation of the platforms and their relation with (mainly) personal entities. I believe we have to expand this.
In an upcoming series of blog posts, I will expand the following dimensions:
Hope you’ll stay on board for the series.
