The Essence of Work – Introduction

Over the last weeks and months, during my sabbatical and during my part-time working regime, I have written so much down in my personal journals, in documenting my dreams, in writing poetry and even fairytales that I probably have enough material to publish one post every day for the next 100 days.

2015_Venice_Biennale_2 %22The Key in The Hand” is a site-specific installation by Chiharu Shiota,

Picture: "The Key in The Hand” installation by Chiharu Shiota 2015 Venice Biennale

I started seeing several themes, file-rouges and keys in what I was writing, and one of the main reflections was about work. About he nature of work. What constitutes “good” work. About the joy of work. About the frustrations of work. About meaningful work and fulfilment. In essence about the essence of work.

I have now bundled several of my musings about work in ten chapters/essays that I am going to release one by one in the coming days and weeks under the title “The Essence of Work”.

Most of the essays are basically written, some of them still mature as I reflect, as I lie down and let the world come to me. But at a certain time, I can’t withhold it anymore, and it is time to share my thoughts, doubts, inspirations and aspirations with my audience. And as usually – when you share – something magically happens that is called a high quality feedback loop. You get challenged, encouraged, there is a conversation starting. Like in The Cluetrain Manifesto: “Markets are conversations”.

The courage to publish – to release, to let go, to put out something into the world – is usually triggered by an event, something somebody says, a touch, a tear in an eye, somebody coming into your world, a resonance, a frequency, a signal.

cyrus-kabiru-kenayn-artist-sculptural-glasses-designboom-00

Image: Cyrus Kabiru - Kenyan-artist

In this case it was the story of a manager telling her “subordinate” that she should look at her work “as a job”, where the job is a means to an end, and that end is getting a salary. I am paraphrasing, there was probably a little more subtlety to it all, but that was the essence of the message.

That story makes me sad and angry, and that’s why I want to get to the essence about what’s so wrong in that message and share with you what I feel is the essence of work.

This post is just the introduction to that blog series. To give you a feel of what’s coming, hereunder the titles of the 10 chapters or essays that I am going to release soon:

These are not my own thoughts. Many are evolutions of deep insights by people much smarter than me. In every post, I will obviously reveal that source of the inspiration that keeps challenging me in my work. I am just re-chewing the source, sensing it, and trying to make sense out of it.

Hope you join me on this journey. Looking forward to your feedback, suggestions, challenges, conversations, and encouragements, if any.

Petervan’s Delicacies – Week 3 August 2015

Week-31 of Delicacies: Max 5 articles that i found interesting and worth re-reading. Handpicked, no robots. Minimalism in curation. Enjoy!

If you can’t get enough of these and want more than 5 articles, I have created an extended version of Petervan’s Delicacies in REVUE. If you want more than 5 links, you can subscribe here: https://www.getrevue.co/profile/petervan

Petervan’s Delicacies – Week 27 July 2015

Week-30 of Delicacies: Max 5 articles that i found interesting and worth re-reading. Handpicked, no robots. Minimalism in curation. Enjoy!

If you can’t get enough of these and want more than 5 articles, I have created an extended version of Petervan’s Delicacies in REVUE. If you want more than 5 links, you can subscribe here: https://www.getrevue.co/profile/petervan

Rebel Jam LIVE! – Rebels wanted

Pavilion-RebelJamLive

UPDATE 28 August 2015: This event has been cancelled.

Please join me for a new kind of event.  One, where we won’t be glued to chairs in a ballroom or walking exhibits in a convention center.  We’ll be part of an open innovation campus in Sacramento, CA and truly enjoying the culture, music and arts of the city.

The event is INNOVATE @ TBD FEST and it will be held September 17-22, 2015 in Sacramento, California.

Think of it as a business playground to instigate new ideas, inspire new thinking, solve problems, develop creative leadership capacities, new ventures and quantifiable outcomes by interconnecting activists, business innovators and disruptors from around the world.  Plus, we’ll also get access to TBD Music, Arts and Culture FEST. It will be a blast.

I recently partnered with RELEVENTS as a curator-in-residence. Like Corporate Rebels United, this is my “night job” 😉

Relevents Logo

We have curated, along with some of the most brilliant minds, a Festival for YOU. It’s designed to be a social learning environment that is content-inspired, people–driven, results-oriented and perhaps, most importantly, a capabilities and new business accelerator.

Corporate Rebels United is a movement and a culture grounded in empowering a tribe of enthusiastic protagonists hungry for positive change. Not an anarchist tribe, but a tribe of people who care for the companies they work for and want to activate change.

We celebrate the Corporate Rebels who went the extra-mile: in helping our movement, in completing a hack, in pulling together a value practice, or doing something really awesome in their organization. Sacramento will bring to life the in-person recognition for a Corporate Rebel exposing the sort of behaviors needed to encourage and advance the movement.

Since 2012, Corporate Rebels United organizes a “Rebel Jam”, a 24h online event via WebEx. The last one was held on June 26th. The recordings of all the sessions are now available here (*). Rebel Jam 2015 was a co-production by Corporate Rebels UnitedRebels at Work, and Change Agents Worldwide.

And now, for the first time ever, REBELJAM GOES LIVE. On Friday September 18th, we have created a dedicated Pavilion, bringing together our sharpest minds.

This is our call for partipation!

Rebel Jam leaderboard 1b

Are you ready to do what hasn’t been done before? Do you have the guts to go on stage, and share your corporate change story with the rest of the world?

If, so, please apply as a speaker via this link: http://innovate.relevents.com/experiences/rebel-jam-live

Rebels selected to speak will gain a complimentary entry to Innovate @ TBD FEST. 

Rebel Jam leaderboard 2b

Why should you trust RELEVENTS to produce this event?

RELEVENTS’ founders are rebels with a common cause. They left jobs in established and successful conference, media, and consulting firms and started RELEVENTS because, collectively they believe that there is a better way to produce, engage, and truly activate outcomes from industry events. They blur the lines and solve problems by changing the people in the room. They curate from a collective lens – connecting leaders, generations, brands and markets by keeping them relevant for the future. They create authentic interaction around real issues and prepare leaders for the competition that’s coming.

Their success is measured by what YOU GET OUT not what they put in.

You won’t read about the number of sessions or speakers or brand names. We built our experience on principle and purpose. We invited the world’s foremost change makers to facilitate an open innovation lab in the heart of Sacramento. The focus is on YOU. Not them.

Our At-A-Glance Program is now available to see. We’d love for you to check it out and let us know what you think!

Check out the Agenda

What happens when you work side-by-side with people already changing the world?

  • You move the needle.
  • You are forever inspired.
  • You appreciate constraints.
  • You learn to overcome obstacles.
  • You strive for more.
  • You think differently.
  • You create new partnerships.
  • You co-create with early adopters.
  • You leave with a commitment to do and the network with whom to do it.

Join Us – Rogue Thinkers Welcome!

Early Bird – Save $1,000 when you register before August 6th.

Confirmed Rebel speakers get a free pass for the week.

Any of our rebels signing up as a participant get a Rebel VIP Discount code of 25%. Use my Festival Code VIPVanderAuwera to receive 25% off the published rate. Look forward to seeing you in Sacramento!

Petervan Delicacies – Week 20 July 2015

Week-29 of Delicacies: Max 5 articles that i found interesting and worth re-reading. Handpicked, no robots. Minimalism in curation. Enjoy!

If you can’t get enough of these and want more than 5 articles, I have created an extended version of Petervan’s Delicacies in REVUE. If you want more than 5 links, you can subscribe here: https://www.getrevue.co/profile/petervan

Petervan’s Delicacies – Week 13 July 2015

Week-28 of Delicacies: Max 5 articles that i found interesting and worth re-reading. Handpicked, no robots. Minimalism in curation. Enjoy!

If you can’t get enough of these and want more than 5 articles, I have created an extended version of Petervan’s Delicacies in REVUE. If you want more than 5 links, you can subscribe here: https://www.getrevue.co/profile/petervan

Innotribe at Sibos 2015 – “The right mix”

For its seventh year, Innotribe at Sibos goes center stage! This translates into two components: first, some our most successful sessions of previous years go to the main stage: the Future of Money session and the Innotribe Startup Challenge Finale. Second, we are building an awesome innovation hub on the exhibition floor, next to the SWIFT stand.

On the outside, the stand is designed as a vibrant networking area, with exhibition demo stations for the Innotribe Startup Alumni and the late stage semi-finalists of the 2015 Innotribe Startup Challenge. And we’ll have the best coffee corner in town with real baristas.

Inside, the stand will host our circular workshop room. It’s already nicknamed as “The Blender” and has a magical 360° projection wall. This is where the majority of our sessions will take place.

As always, we will introduce the latest innovation trends, whilst delivering thought-provoking content designed to challenge perceptions. Together with global professionals from across the field of innovation, Innotribe will explore topics at the center of the financial services industry agenda in payments, market infrastructures, and the corporate landscape.

In a play of words on Kevin Kelly’s book “What Technology Wants”, we have four major themes this year, one theme per day:

  • Day-1: What Platforms Want
  • Day-2: What Society Wants
  • Day-3: What Innovation Wants
  • Day-4: What Machine Intelligence Wants

Across the four days, we have two big design principles: Millennials and Power Women in Finance who will be an integral part of all sessions in this year’s programme. We just launched two whitepapers to prepare us for Innotribe Sibos:

As you may notice, we put a lot of efforts in ensuring diversity by having different thought leaders joining us in every session: men, women, millennials, investors, accelerators and contrarians. Whirling around the room with the different protagonists like in a real blender, we will create the right mix of topics and speakers and create an interactive environment for our audience. This year we also do special effort to integrate art and music in the overall design of all our sessions.

Next to this, the Finale of this year’s Innotribe Startup Challenge will see the 12 early-stage startups selected during the regional showcases pitching their pioneering products and services.

Innotribe is open to all Sibos delegates willing to drive change and embrace innovation for the benefit of the financial industry, by understanding its trends, opportunities, and challenges: business analysts, product managers, strategists, marketing/branding/innovation managers, transaction bankers, securities managers, corporates, standards experts, payment professionals, investment managers, regulators, policy makers.

Registration via Sibos.com: https://www.sibos.com/my/login

Full programme on Sibos.com: https://www.sibos.com/conference/conference-programme/2015?field_session_stream_tid%5B%5D=466&op=Filter

Also see my recent interview on Sibos.com “Innotribe and the future of FinTech innovation”

Petervan’s Delicacies – Week 6 July 2015

Week-27 of Delicacies: Max 5 articles that i found interesting and worth re-reading. Handpicked, no robots. Minimalism in curation. Enjoy!

If you can’t get enough of these and want more than 5 articles, I have created an extended version of Petervan’s Delicacies in REVUE. If you want more than 5 links, you can subscribe here: https://www.getrevue.co/profile/petervan

Petervan’s Delicacies – Week 29 June 2015

Week-26 of Delicacies: Max 5 articles that i found interesting and worth re-reading. Handpicked, no robots. Minimalism in curation. Enjoy!

If you can’t get enough of these and want more than 5 articles, I have created an extended version of Petervan’s Delicacies in REVUE. If you want more than 5 links, you can subscribe here: https://www.getrevue.co/profile/petervan

When Architects Swim

Many of my readers know I was trained as an architect. Some of the rhythms, insights and passions of that profession continue to weave into my work and my sense making.

Just over the weekend, I completely randomly bumped into a very well done interview with star-architect Rem Koolhaas in Flanders’ business newspaper “De Tijd”. It’s in Dutch, but I found it so inspiring that I translated the juiciest chunks of that interview, with some personal context around that.

Rem Koolhaas (70) founded the Office for Metropolitan Architecture (OMA) in 1975. Besides its headquarters in Rotterdam, the agency has offices in New York, Beijing, Hong Kong, Doha and Dubai. He is also a professor at the Harvard Graduate School of Design and wrote important publications on architecture, such as ‘Delirious New York’ (1978), “S, M, L, XL (1995) and ‘Content’ (2004). In 2000 he was awarded the Pritzker Architecture Prize, the Nobel Prize for architecture.

322_1rem_koolhaas_oma__portret_portrait__copy

Portrait Rem Koolhaas O.M.A. Office for Metropolitain Architecture shoot for Andy Warhols INTERVIEW, Russia © Ronald Tilleman all right reserved

The interview was made in the context of the opening of the Garage Museum in Gorki Park.

Garage Museum

It was Dasha Zhukova, the 34-jarige spouse of Russian multi-billionaire Roman Abramovich who approached Koolhaas to build “her” museum. Thanks to the deep pockets of her husband, she ensured herself this way of her own name and fame in the international jetset and art scene.

I really encourage you to watch this great promo-video of the museum. It is so inspiring when you start thinking about musea as educational spaces. Look at the wondering faces of the kids in that video. Think on how educational immersive experiences are becoming so key to our understanding and sense making. The Garage Museum is run by the Post-Soviet generation and that is so refreshing. And – surprise – it includes fragments by performance artist Marina Abramovic.

Her work explores the relationship between performer and audience, the limits of the body, and the possibilities of the mind. Active for over three decades, Abramović has been described as the “grandmother of performance art.” She pioneered a new notion of identity by bringing in the participation of observers, focusing on “confronting pain, blood, and physical limits of the body.” (from Wikipedia).

It is a coincidence – or probably not – that performance, improvisation and new notions of identity cross my path again, and makes me reflect again of my work as event-creator evolving gradually into experience, romanticism and mystery.

But back to the interview. The journalist kicks off with an observation about the label of “star-architect” and how that is associated with neoliberal money-grubber who designs antisocial icons for the private super rich.

Rem Koolhaas reacts:

“Since the beginning of the 21st century, there is increasing attention to an ever smaller group of architects, of whom one expected to produce ever more spectacular buildings. Especially in high-rise commercial noticeable increasing pressure to make extravagant, rare designs. “

“Since the triumph of the market economy, the relationship between the public and the architect is cut. The takeover of the market economy in the architecture was harmful. The architect can no longer identify as someone who serves the public interest. Previously our inventions benefited humanity. Now that’s gone, like a tablecloth is suddenly pulled away.”

“While architecture previously revolved around the creation of community, to live together, the emphasis on selfish icons wipes that away. Cities can no longer exert as much influence as before, when they had enough money to build projects.”

It makes me think about the work of Christopher Alexander – my all time favourite – who protests against efficiency in architecture and the loss of appreciation for patterns, beauty, and the “quality without a name – QWAN”. See elsewhere on my blog, like here on “The battle for beauty”Like Alexander, Rem Koolhaas is at least as famous as a thinker and writer on architecture.

I think an architect must be a change expert, because you have to shape change. Therefore, you must know what is happening in the world. Before I became an architect, I was a journalist. And actually I’m still investigative journalist. I observe. My life is one big string of anthropological and sociological explorations. I’ve always had a particular attention to what is neglected. So I wrote my book about New York in the late seventies, when everyone had written off the city.”

He also confirms some of the insights that digitization of architecture – but I would expand that to any form of making great work – creates some fundamental flaws in creativity.

“I think some architects have a very simplistic look at the digitisation. For instance, they believe that 3D printing will provide free creativity. That is a myth. Therein lies a fundamental fallacy about architecture. Architecture is not at all about letting your imagination go. You must confront your imagination again and again with the request and desire of your customer.”

And then on privacy, something that becomes most tangible when you are at home, in your house, in your bedroom.

nest

“It dawned on me last year when I was curator of the Venice Architecture Biennale. We have reconstructed the history of building elements, such as wall, floor, heating, and so on. We realized that all of them are on the verge of changing status. Take the thermostat. That used to be a thing that you checked. Now that gives your data to the energy supplier. Such a smart thermostat knows when you leave the house and when you come home again. Before you know it, sensors that follow you anywhere in your home surround you”

“We live in a world which is so addicted to comfort it as undermining our freedom. The dividing line between comfort and repression is thin. We submit ourselves to a huge monitoring system that records all of our movements in a building. We seem almost happy that we have no privacy anymore. For someone of my generation is that strange because we were still in the streets in the seventies to defend our privacy. “

lonely swimmer by Sterling67

Picture of Lone Swimmer by Sterling67

“I travel a lot, and I find that very inspiring. And above all gives me a great deal of privacy. Like swimming, though. I swim every day one kilometer, wherever in the world I am. “