Petervan’s Delicacies – Week 28 Aug 2017

delicacies

Edition-96 of Delicacies: As usual, max 5 articles that I found interesting and worth re-reading. Handpicked, no robots. Minimalism in curation. Enjoy!

If you can’t get enough of these and want more than 5 articles, I have created an extended version of Petervan’s Delicacies in REVUE. If you want more than 5 links, you can subscribe here: https://www.getrevue.co/profile/petervan

Research is not about search but about finding

Tom Cruise

Tom Cruise in Minority Report – 2002

I had the opportunity to visit the R&D facilities of a big company, big like in 100K+ employees. I was invited to their brand new R&D site housing 1,500 researchers in brand new fully sustainable buildings (solar panels, recycles water, etc.) in the middle of nature. I was the guest of the Global Innovation Manager.

I have seen this mix/blur of innovation and R&D elsewhere and I had in my career many discussions about where innovation sits on the spectrum from pure R&D work to pure enabling unit. I have also seen several “oscillating patterns” where a company starts at the R&D end, swings to the enabling end, swings back again to the R&D end and so forth. I have written many times before on these and other oscillating patterns, that are in essence caused by structural conflict (with a big shout out here to Robert Fritz, see previous posts).

To be precise the R&D site of big company was a pure R-site. Pure research, no development. Often structural conflicts arise when R is reporting into the marketing department, which is more about the D (product Definition and product Development). The R is a different animal than the D. Or when R sits with IT and D with marketing and the structure of the company obstructs high quality flows between the two groups, instead of cultivating them.

But that was not the case at big company. Being an R-site, the site was full of R-people, most of them engineers. But the R-site of company was making use extensively of artists are part of their R-projects.

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Studio/Atelier Rinus Van de Velde – picture by Joke De Wilde

This was not an “artists in residence” program where the company sponsors an artist to do their artwork. Or where business executives are invited into an artist’s studio for a one-day workshop in the mess of the artist’s working environment, hoping the creative virus would infect them.

No, this was about deeply integrating artists within the R-teams of the company. And they were doing this at scale, in collaboration with a world-renowned academy, changing artists every month, and an international art curation and selection panel.

In part this was inspired by the lateral thinking of Edward De Bono, inventor of the term “lateral thinking”.

This was indeed all about creating collisions between the creative orientation of the artists and the reactive/responsive orientation of the engineer who is looking how to best solve a problem.

In setting up these collisions, the innovation manager was in fact what I would call an “Architect of Accidents”. It suddenly hit me that research was not about searching but about finding.

Research is not about searching but about finding.

The role of the R-teams was to see what they could FIND when they collided. Nobody said: “Let’s find a balloon”. The mission was “what can you find?” if you collide these elements.

This is in big contrast with what I have seen in other R&D/Innovation teams where challenges are set up to solve a particular problem (a problem in search for a solution). A whole “search”-process is then set-up to capture the ideas/solutions, plus some stage gating to further filter (read frame to the be liked by the decision makers), and the end result is that after a while everybody feels like they are fulfilling the system vs. creating what they want. No wonder the change agents get frustrated!

Robert Fritz compromise

It reminded me of Jean Russell’s four types of inquiry, so nicely illustrated in the concentric circles of Jay Standish at OpenDoor (#gratitude):

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Indeed, this was a story of continuous learning, from what is imaginable, what is possible, what is testable, and what is provable.

Research with artists at big company was about finding what is imaginable.

And different practices have different preferences. Good artists are more than just good craftsmen; they let you see/find/discover something that was always there but that you would not find without their help. They let you find what is imaginable. Most engineers can probably be mapped to the science or math circle, with a preference to test and prove things are true, can work.

And different practices have different methods. As you can see from the concentric circles second picture, the philosophy circle is more about theories of change, where as the scientists want to test the assumptions of these theories and reduce the set op options that can be proven to be true.

What the R-team at big company was doing was an effort of being open to new (or existing) insights. In that sense, learning is about letting go of ego. Finding is about being open for the unexpected, the un-searched.

In that sense, my initial spectrum from R&D to Enabling was probably the wrong framing. I tend to prefer these days the concentric circles.

To open the nut, to find the crack inside, one must integrate artists in the innovation flows, especially to help find what is imaginable.

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I am in the business of cultivating high quality connections and flows to create immersive learning experiences and structural change. Check out: https://petervanproductions.com/

 

Paardrijden zonder teugels (poem)

A close view of the face of Hungarian race horse Overdose is seen in Dunakeszi, Hungary on September 10, 2008. (REUTERS:Laszlo Balogh)

Haar lichaam staat strak als dat van een zwetend renpaard

Haar veulens zijn los,

Haar beminnen voelt als paardrijden zonder teugels

Het schuim op de mond

Een steeplechase tot aan de einder

Nog een laatste bocht

De aankomst van een winnaar

Rough translation

 

Horse riding without bridles

Her body toned like that of a sweating racehorse

Her foals let go

Caressing feels like horse riding without bridles

Foaming at the mouth

A steeplechase till the horizon

Heading for the final turn

The finish line of a winner

Is Being Normal Boring?

Pol Kurucz hr1

Normal-hr-1 From the Normals-series by Pol Kurucz

A couple of days ago, I was standing in line in the supermarket. In just five minutes time, the mother in front of me was instructing her two lively kids: “be normal”, “be silent”, “behave”. She probably said it 2-3 times in that short period.

I smiled, but also felt some push-back at the same time: why limiting these kids in their normal expression so early in their life?

My wife also invites me from time to time to “be normal”. That invitation provokes protest in me. I think that is because I associate normal with boring, not exciting, not special.

Do we want to be special because we want attention? Normal does not get attention. Being normal – not special – seems to be an insult/attack for my identity. Maybe it is my shadow. My shadow as in “what I do not want to be”, or “what I do not want to be labeled as”. Like not wanting to be labeled as “stupid”, or “manipulator”, or “dishonest”, etc.

The older I get, the more I become aware how distracted I get by putting energy in ignoring my shadow, in proving that I am not stupid etc. A similar energy loss btw when trying to prove the validity of my non-shadow label, role or title. But that is another post.

How can I integrate normality in my identity? Should I? Should I integrate that normality? Should I even try to focus on my identity? In an interesting podcast with Raf Stevens (in Dutch), André Pelgrims says that:

“Ego is the urge to build up identity”.

Have we spent the majority of our lives in building identity? Have we never matured? Have we not integrated what needs to be integrated? What/why is there to be proven?

Mind you, in all this, the focus is still on ourselves trying to “build identity” (with our without shadow) rather than the motivation to accomplish on the outcomes we wish to create.

The identity builder is a noise generator.

Do we humans create, design, make, blog, tweet, facebook, etc because we are hungry for attention, we want to prove something, or because we have something new to say, a new insight to share, a novel hypothesis to be tested? Or do we just inject noise into the stream to get our part of the attention?

I recently met somebody who planned to hire a cheap student to create and post her regular noise. Her “Professional Noise Creator”. Addicted to attention. Addicted to taking space from others. It’s a power game. As articulated so clearly by André Platteel of Your Lab in this great blog post (in Dutch):

“Often when we try to find space we look for it outside ourselves. Then we are busy creating space outside of ourselves. To check out whether we can create freedom of movement. Whether we can get more space/freedom from others. Whether we can dominate another in a strategic game and lock them in them so we can get more freedom of movement. That whole game is based on the idea that we are independent of others and the world. Where we are fearful all the time that our space is being suffocated or taken. That’s why we tend to take as much space from the other. And have a feeling of freedom and power.

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Stairway space in Gaasbeek Castle - June 2017

“I know that game very well” continues Platteel.  “Played it so long when I was a marketing advisor. Using smart marketing tricks to make your own commercial space as big as possible at the cost of your competitor’s space, using smart marketing tricks. When all the time you try to be smarter than the others. I started to notice that in the consulting, it is not only about taking as much space as possible, but also to assert power. When it is not about listening to one another, but about being (perceived) smarter, more concise, faster, fitter, stronger. In fact taking more and more space at the cost of others.”

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Petervan Productions 2017 – Blue Sky, Parasol, and Flight – June 2017

I believe the desire to be special (and thus not-normal) has to do with the desire to be visible. A lack of visibility seems to give me less power.

Banksy

If invisibility is a superpower, than maybe also anonymity. I have these moments where I want to disappear in complete anonymity, like a monk in a monastery, detached from any social contact. The antonym of anonymous is “named”, “known”, “identified”. A desire to be un-named, un-known, un-identified. Without identity. And do-my-thing. Without the need for attention and visibility. But even that is a make-up, a mask.

Just the act of saying “I want to disappear in complete anonymity” is the superego acting in the background. Because it assumes I am special, famous, non-anonymous. And I have to escape it. It’s an “evolved” form of narcissism: feeling superior rather than feeling special.

Narcissicm was well described in a post by Umair Hague about why America can’t learn from the world (be aware I take the sentence out of its original context, which is a bit of manipulating or content-mixing of course):

“Narcissism. The belief not just that one is special — for we all are unique, different, remarkable. The belief that one is superior, above, beyond. Better in fundamental ways. That is never true. Not a single one of us is better in any fundamental way. The genius is poor at loving. The lover is poor at creating. The creator is poor at managing. And so on. We all have flaws. But the greatest flaw of all is to be blind to the grace and beauty of the idea that we all have flaws — and so to believe there is nothing to be learned from anyone else. Trump is a narcissist, sure — but he is only a reflection of American narcissism in this way.”

The first job of a leader is to learn. Only then can a leader do their second and third jobs — care and love. Leadership is nothing more — and nothing less — than realizing human potential. You can do it as a parent, boss, friend, partner. You probably do. That is what care and love are in concrete human terms. The difference between them is that care brings a person towards their potential, and love expands that potential.”

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Art Academy 12 year old kids playing with tissues – June 2017

Feeling special, feeling superior. Being part of the ego-tribe. Even worse is the word contempt: the feeling that a person or a thing is beneath consideration, worthless, or deserving scorn.

In that sense I am also a reflection, a feedback loop of society. It’s the only thing that is great about Trump: he makes you more aware of your own shadows of narcissism, contempt and bullying. The ways you definitely do not want to stay in life. Being aware of these shadows, and finding a way to accept them, to integrate them I your whole being, and focusing on that other – different, better – palette of songs to sing. Breaking out of that rigidity of defence and taking others’ spaces.

To quote André Platteel again:

“Then there is no rigidity anymore of values that we can hang on to. Then there is nothing to be defended anymore causing us to exploit our power in a false way. To make another smaller and feel more free ourselves. Then it is not needed anymore to hide and feel our more expanded selves. Or to blow yourself up to make yourself bigger than you are. But just be, who you are in this moment.”

Maybe that’s when being normal becomes exciting and a source for internal happiness and stillness? When identity is not a burden anymore?

Also surprised what thoughts a simple invite to be normal can provoke? Share your surprises and insights. Please.

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I am in the business of cultivating high quality connections and flows to create immersive learning experiences and structural change. Check out: https://petervanproductions.com/

Petervan’s Delicacies – Week 21 Aug 2017

delicacies

Edition-95 of Delicacies: As usual, max 5 articles that I found interesting and worth re-reading. Handpicked, no robots. Minimalism in curation. Enjoy!

If you can’t get enough of these and want more than 5 articles, I have created an extended version of Petervan’s Delicacies in REVUE. If you want more than 5 links, you can subscribe here: https://www.getrevue.co/profile/petervan

Petervan’s Delicacies – Week 14 Aug 2017

delicacies

Edition-94 of Delicacies: As usual, max 5 articles that I found interesting and worth re-reading. Handpicked, no robots. Minimalism in curation. Enjoy!

If you can’t get enough of these and want more than 5 articles, I have created an extended version of Petervan’s Delicacies in REVUE. If you want more than 5 links, you can subscribe here: https://www.getrevue.co/profile/petervan

Petervan Productions – August 2017 update

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Petervan Productions 2017
My own painting “Dancing Girl in Flemish Fields”
Through a Pikazo Van Klee filter

The summer slowly comes to an end. It is now almost ten months (!) since the start of my long-term sabbatical as Petervan Productions. It also means only four months to go. If you are interested in my developing story, my Jan 2017, March 2017 and May 2017 updates are still available.

A quick update:

Last months I have not been productive at all, at least not from a “work” point of view: begin May, I loosened up a bit my strict work schedule and decided to let my day agenda dictate by the weather – if good weather go out, if rainy do focused work – and since then we mostly only had sunny days 😉 So indeed, I did a reasonable amount of cycling (nothing excessive, short trips, 1-2 per week), and a lot of BBQ and wine in my garden to keep the balance right.

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Bike ride: Corn fields south of Brussels – June 2017

The biggest distraction from “work” was our house move on 7 August, with significant prep work, and still now a number of boxes to be unpacked. So don’t expect too much from me for the remainder of the summer either. I did very little on the performance, but I have composed the music for the opening part of it.

Artschool

For the end of the academic year, I created an installation called “TOKOMA”. Here is the video and a link to the poem that goes with it. Everything is self-made, including the music and the poem.

Art school is now closed for the summer holidays. As we moved places, I have subscribed for next year in the academy of Aalst. But I will miss my friends at the academy in Overijse and especially my teacher Ann Grillet.

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Some recent Petervan Productions: Globe3, Yellow Ball, Dancing Girl

I also created another poem “Strillingen”, very clumsy translated (by myself) into “Hidrations”.

Performance

I accepted a gig for FinnoSummit in September in Mexico to do their opening keynote, which should include some elements of my performance “Tin Drum is Back”. The working title for the keynote is “Deep Change in Organizations”, and is currently scheduled at the start of day-2 of the summit. We’ll probably change the word “deep” into “structural”: see my post on Good Change – Bad Change.

The event will take place in Centro Cultural Roberto Cantoral, a fantastic building designed by architect Gerardo Broissin.

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Centro Cultural Roberto Cantoral in Mexico City

The venue comes with a concert hall with all possible A/V whistles and bells, so if everything goes to plan, I will bring with me this awesome Ableton Push device and illustrate the story with own artwork and soundscapes.

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Ableton Push Device

The House Project

As mentioned above, we moved houses. We moved to a place close to Aalst. It’s a quite recent house (20 years old) and used to be a practice of a physiotherapist, so I am in full progress to transform the practice into some sort of atelier/studio, my sacred secret temple 😉

garden

The house also comes with a huge garden (25 acres) so I am afraid that will need some of my attention too. And my daughter wants chickens, and my wife wants a kitchen garden. I have also noticed spectacular changes in light intensity in the garden, and I can’t wait to capture some of that in one of my upcoming paintings.

Astrid

Some great milestones for my almost 12-year old daughter Astrid:

Mid May, she did her solemn communion, and she was ravishing. A proud father and mother indeed 😉

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Ravishing Astrid – May 2017

End June she ended primary school and now moves to secondary school. A new school, a new city, saying good-bye to her dear friends in Overijse, and making plenty of new friends in this brand new environment. A lot of change for my big girl! She will need my and mom’s attention 😉

Other

I have written and reflected a lot, read some really good books and got some new insights.

I also got invited to a huge research centre of a very big company (can’t say who, I am under a very strict NDA – no pics etc that sort of thing, but it’s not in Fintech or anything). I was blown away how they integrate artists in their work.

And there was this wonderful visit to the Gaasbeek Castle, with a very well curated expo named “Kairos Castle. The Art of the Moment”. I was however most impressed with the botanic garden of the castle, and took this nice picture of an orange tree in open air.

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Orange tree in open air in the Orangerie of the Gaasbeek Castle

And somewhere end May, I decided to put myself on a Twitter, FB and LinkedIn diet. I wanted to know what happens if I don’t tweet etc for at least a month (spoiler: not much, but some followers kindly asking if everything was ok, thanks for that). The social media just felt very distracting and most of the time full of emptiness (“full-of-emptiness”).

I have BTW a blog post in the queue about that emptiness, about being normal/special and about titles, roles, attention, the call for anonymity etc. You see, I did not change that much ;-). Now that the move is over, a will increase again my stream rhythm and publishing sequence

So, what’s next?

During Aug –Sep 2017, the plan is to work on:

  • The house project. I want to have the studio fully ready and operational by end September
  • Produce the opening keynote for the FinnoSummit
  • Continue the research on structural change (previously “deep” change)
  • Get some blogs and reflections published

kenny scharf

Kenny Scharf Art Studio

That’s about it for this edition. If there is something worth reporting, next update is for Oct 2017. Looking forward to hearing from your latest adventures as well.

Rebelliously yours,

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I am in the business of cultivating high quality connections and flows to create immersive learning experiences and structural change. Check out: https://petervanproductions.com/

Petervan’s Delicacies – Period Feb-Aug 2017

delicacies

Edition-93 of Delicacies: after a long interruption, I have resumed my curation. In this issue you’ll find some older and newer articles collected over the last months. As the summer holiday period comes to an end, I will try to resume my weekly publishing rhythm. Onwards! As usual, max 5 articles that I found interesting and worth re-reading. Handpicked, no robots. Minimalism in curation. Enjoy!

If you can’t get enough of these and want more than 5 articles, I have created an extended version of Petervan’s Delicacies in REVUE. If you want more than 5 links, you can subscribe here: https://www.getrevue.co/profile/petervan

Strillingen (poem)

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Globe3 - Petervan Productions 2017 - Acryl on canvas - 70x70cm

 

 

Strillingen

Stille trillingen

Koude rillingen

Van verderf

Bewust gevaar verkennen, de schaamte voorbij

Een hond bekijkt haar keutel, reutel, geleuter

Niets is waard wat het is

De zon gaat op en laat me alleen

Het gezoem van de banden op asphalt verstilt

Ik hoor alleen nog de hitte van het tarmac

Lucht trillingen en fata morganas

Warmte rillingen van genot

Een vluchtheuvel te ver

Begraven maskers en strelingen

Strillingen

(very) rough translation

Hidrations

Still vibrations

Cold and chilling

Perditions

Explorations of dangerous awareness, beyond the shame

A dog inspects her dung, rattle, and drivel

Nothing is worth what it seems

The silencing humming of tires on asphalt

Only the heat of tarmac is left

Air vibrations and fata morganas

Warm shivers of pleasance

A hideaway too far

Buried masks and hidden cuddles

Hidrations

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