The theme for Techonomy 2019 in Half Moon Bay, California was “Reset and Restore: Governing Tech, Retrieving Ethics, and Acting on Climate.”
In the opening session, Founder and Host David Kirkpatrick prompted: “These are serious times” and the following interview by Andrew Keen of David was really interesting. Keen rightfully asked the question of what needs to be reset, and – if we have to restore something – is this a nostalgic going back to good old times, or what is meant here?
To make a long story short, it seemed the answer could be distilled to a resetting and restoring back to/towards more humanity.
Konstantinos Karachalios, Managing Director of IEEE’s Digital Ethics department referred to the German Jewish Viennese philosopher Gunther Anders, who wrote in 1956 “The outdatedness of the Human Species”.
Konstantinos also shared some strong opinions about the Power (in)equation – the asymmetry in power of the big tech vs. us – and summarized his thinking as “The Time of (Engineering) Innocence is Over”
Colin Parris @colin_j_paris did a session titled “Why AI has to be humble” about GE’s use of self-learning AI in the building of GE Jet Engines. Super-slick and professional presentation, almost too clinical. The last slide was about “Intimidation by Immortal Machines”.
My head got spinning and got me thinking of John Markoff’s 2015 book “Machines of Loving Grace – The Quest for Common Ground between Humans and Machines”
In itself, the book’s title is a spin on Richard Brautigan’s “All Watched Over by Machines of Loving Grace” from 1967, and of course, Adam Curtis fantastic 2011 documentary “All Watched Over by Machines of Loving Grace”
I like to think (it has to be!) of a cybernetic ecology
where we are free of our labors
and joined back to nature,
returned to our mammal brothers and sisters,
and all watched over by machines of loving grace.
Richard Brautigan, “All Watched Over by Machines of Loving Grace” © 1967
Let me put all this behind the backdrop of what I saw and experienced a couple of days earlier in the San Francisco Museum of Modern Art (SFMOMA).
Richard Moss "INCOMING" - Picture by Petervan
On the 7th floor, there is an amazing video installation by Richard Mosse, called “INCOMING”, and it is about the horrible conditions in another Western export product: refugee camps, and related issues of sovereignty, warfare, and surveillance. The installation forces us to confront our own complicity. Strongly recommended. Still running in SFMOMA till 17 Feb 2020. Warning: you won’t come out smiling from this installation!
See also interview with the artist in Forensic Architecture
The entrance of the installation also includes a picture of Berlin’s Tempelhof, a symbolically loaded site to house asylum seekers.
“…, and the airfield has been transformed into a popular public park. Some of its adjacent buildings and territory were designated as an emergency refugee shelter in 2015”
What misery! What a shame for a “modern” society! This installation made me rethink my opinion about refugees. For me, it questions the whole semantic discussion about “asylum seekers” vs. “economic” refugees. There is no difference. When people become so desperate to flee their home and take these incredible risks and withstand these inhumane circumstances, those semantics become irrelevant.
This injustice is going to explode in our face, sooner or later. A toxic mix with climate change, inequality and the 1% owning 99% of the wealth. I can only hope I will not be treated this way when I or my children have to find refuge for climate change or other disasters in the future.
All the big problems of today are crying for more compassion, more morality, less greed. The root cause is a lack of morals combined with an abundance of greed.
Putting it all together, “Immortal Machines of Loving Grace” may be better replaced by “Immoral Machines of Loving Greed”. Just replacing two words is probably better and more adequately describing our Zeitgeist.
In that sense, some of the discussions of Techonomy 2019 should have included the refugee crisis vs. having safe conversations about the attention economy, tech supremacy or immortal machines of loving grace in a five-star luxury hotel.
See also my separate post on the key memes of Techonomy 2019.
Petervan Studios 