Petervan Artwork © 2020 - Scribble on iPad with ProCreate
Sine Parole – 9 June 2020
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Sine Parole – 8 June 2020
Petervan Artwork © 2020 - Yellow Speed - Acryl on Canvas - 50 x 50 cm
Petervan’s Delicacies – 9 Jan 2020
An irregular, unpredictable, incoherent, unfocused set of mind-sparks that got me thinking. Handpicked, no robots. Minimalism in curation. Enjoy!
- About building movements around solidarity and direct action, to counter the culture of dislocated, distrustful, and disengaged.
- About AI, Art and Augmented Architecture. Awesome talk by artist Refik Anadol, so inspiring if you are in tech and aesthetics…
- Also about the future of architecture, the return to the real, and the “new normality” as the aesthetic of the new decade.
- Fantastic eye-opening interview with CEO/Co-Founder of Tesloop, a Tesla rental service for long-distance sharing. Rethink mobility.
- About being bold ànd vulnerable. A wish for 2020 by Julie Vens – Devos, CEO of nexxworks
If you can’t get enough of these and want more than 5 articles, you can hang on to the firehose, the extended version of Petervan’s Delicacies in REVUE. Subscribe here: https://www.getrevue.co/profile/petervan
Seasonal Greetings from Petervan
Image
Sine Parole – 2 Nov 2019
Petervan Artwork © 2019 - Walk In The Park Video mix based on Insta360 One capture
Sine Parole (2) – 23 Oct 2019
Petervan Artwork © 2019 - iPhone 11 Pro - Soundscape in Garageband
Sine Parole – 23 Oct 2019
Petervan Artwork © 2019 - Insta360 ONE camera - Soundscape in Ableton Live
Petervan’s Delicacies – Oct 2019
The latest version of Delicacies is here: https://www.getrevue.co/profile/petervan/issues/petervan-s-delicacies-issue-125-193906
Enjoy!
Petervan’s Delicacies – 11 Aug 2019
There is a new edition of Petervan’s Delicacies. Number 124. An irregular, unpredictable, incoherent, unfocused set of mind-sparks that got me thinking.
As an appetizer, the last one on this edition is about Nakatomi Space, the tower that McClane explores in Die Hard via elevator shafts and air ducts, crashing through windows from the outside-in and shooting open the locks of rooftop doorways.
This is about “A ghostlike military fantasy world of boundless fluidity, in which the space of the city becomes as navigable as an ocean.” The physical walking-through-walls is a strong metaphor for radical innovation
Check-out issue #124 here. And if you like it, subscribe to future (unplanned, unguaranteed, unfocused) edition here.
The lessons of Fiorella
This is a supplement to my post about the end-of-year assignment Art and Culture at the Academy of Visual Arts in Ghent.
Dutch version here.
Dear Fiorella,
Your lessons were always fun for me. You speak in poetic and philosophical words and sentences. I have written them all down and someday I will publish an anthology of them. Chris and Inge advised me to use them as inspirations for my paintwork.
Here are a few examples of sentences and statements that flow from your mouth:
THE CHESSBOARD IS EMOTIONLESS
A GOOD ARTWORK DOES NOT GIVE ANSWERS
THE INTENSITY OF SLOWNESS
BEING BROKEN IS A STATE OF BEING
WORKING WITH CLAY DOESN’T MAKE NOISE
WE CAN ONLY SEE EMPTYNESS WHEN WE FILL IT
THERE SHE LIES IN ALL HER GREATNESS
LYING IN DEATH
360 POSSIBLE VIEWS
IN RELATIONSHIP WITH THE ENVIRONMENT
AND KEEPING TRACK OF THEM IN OUR HEAD
“THE PARCOURS”
CREATION OF THE POSSIBILITIES
TO LET THE IMAGE EMERGE
BLOCKING OF THE VISUAL BRAIN
WHEN IS SOMETHING BECOMING TIRING?
WHEN YOU CANNOT DETERMINE YOUR OWN TEMPO
YOU CAN TAKE A SMALL STEP
TAKING A HUGE SPACE AT THE SAME TIME
THE BRAIN IS LIKE AN OFFICE
A HOUSE WITH ROOMS
SOMETIMES YOU NEED OTHER KEYS
With gratefulness,
Petervan Studios 