Sine Parole – 6 March 2021
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Petervan draws bricks in monk pattern. Chinese ink on Steinbach paper. Format about A4.
Soundtrack with Behold instrument in Logic Pro.

This post is part of a series of essays bundled under “Travelling without Moving”.
Intro of that series can be found here.
After the Silence post of last week, we continue with Pause.
In “Silence”, I mentioned “Stop the clocks – Manifesto for a Slow Future”, Joke Hermsen’s book about Silencing the Time. Minutes after I published that post, I got a notification of a new book by Joke Hermsen
“Ogenblik & Eeuwigheid” or “Moment & Eternity” opens with Joke’s reflections on a Kairos/Chronos exhibition she curated in 2017 in the Gaasbeek Castle south of Brussels. Coincidence or not, but I happened to be there, and here is a video of one of the installations exhibited then.
I wrote about this exhibition in “About Time”
“This is about that mysterious moment when our soul is unguarded and spreads out its wings. Kairos manoeuvres virtuoso between two worlds: the measurable and the immeasurable, the known and the un-known, backing out of our knowledge, covertly showing us a glimpse of the possible”
Her new book is once again about Chronos and Kairos and the potential of art to move us into the surplus of Kairos
Het surplus aan tijdservaring die de kunst voor ons in petto heeft verschilt aanzienlijk van het louter meten van tijd op de klok.
The surplus of time experience made available by art is quite different from the pure measurement of time
Artists covered/mentioned are:
Sean Scully
Virginia Woolf
Hilma Af Klint
Marlène Dumas
Thomas Mann
Mark Rothko
Hannah Arendt
Edmond Jabès
But this post was to be about Pause.
Robert Poynton wrote a book about it.
I highly recommend it.
Robert lives between Oxford and a remote Spanish town west of Madrid. In Spain, he lives off grid – literally and metaphorically.
His remote, hilltop house is even off the electricity grid.
It is also the place where he contemplates.
Intro https://www.robertpoynton.com/
Together with Josie Gibson from The Catalyst Network, we started some 1-1 calls to share what these books trigger for us and our communities. We decided to start a small experiment: we read a chapter of the book, schedule a 1-1 call to let flow our minds, record it, and share it with our communities.
Very down to earth, no tricks, no gimmicks, just a gentle and calm wandering and meandering of minds from two opposite sides of this earth. One person from Melbourne, Australia and one from Aalst, Belgium; one person in autumn, one in spring.
These are very calm conversations; so best is to take a pause, install yourself in a quiet corner and enjoy!
Episode-1 on “Why Pause?” is here.
Episode-2 on “What’s in a Pause” is here.
Episode-3 on “Habits” is here.
Episode-4 on “Design” is here.
Episode-5 on “Culture” is here.
Episode-6 on “Tools” is here.
Episode-7 on “Time to Pause” is here.
Episode-8 on “Afterword” is here.
“Everything is an offer”, Robert writes in Pause.
It is an invitation to calm and tranquility as powerful sources of vitality ànd relaxation.
Yes! They can go together.
But sometimes the rhythms of an ordinary day offer stillness as well.
Even the ticking of the Chronos clock as a background soundscape can bring me in a state of calm and stillness.
Like monks doing their miniatures.
I found this online clock that ticks for 12 hours.
It’s the only thing it does.
And in the meantime, I am drawing thousands of little bricks in brick bonds.
It’s useless, I know.
But it brings me in a Zen state, a state of deep calm and happiness.
I am literately and metaphorically losing my time.
In a recent newsletter update about “pottering” in his garden, Robert wrote:
“When I do what I am drawn to, I am absorbed by my surroundings – by what I see, or hear, or smell. My attention is open, soft, pliable. This stills something inside me and I find a kind of quiet calm.”
“This stillness is something that is given to me, not something I create. It is a gift; and one I cherish. It is settling, if not nourishing to be reminded that the worries and concerns that bother me so, are mostly of my own invention. And that moving around can help me to be still.”
I am attracted by Robert’s pause, his stillness as a gift.
A place where I want to hang-out, where I can lose my Chronos time.
In the meantime, I got many conversations with Robert. I shared with him my ideas on creating better gatherings, beyond “conferences” as entertainment, but more as learning experiences, resonating beyond the cognitive, and how we can do much better than just copying the analog.
(Not) to my surprise, Robert spent a lot of time as well on how learning can be done better, differently. And together with Alex Carabi, he created Yellow Learning. I mention it quickly here, as Yellow is one of the other keywords in this series Traveling without Moving.
Check it out:
https://www.yellowlearning.org/
I was part of the second cohort ending next week. Yellow is fee based. But worth its money, trust me. If you are interested, the call for the next groups Jan-June 2021 is open now.
Apply here: https://www.yellowlearning.org/apply-to-join
Next time, we’ll talk about “Play”
Hope you enjoy the series.
Warmest,
I am excited to announce the launch of one of my new channels: Petervan’s Pirate TV – Art-Tribe Edition
The first episode will premiere on YouTube on 1 Dec 2020 at 09:30am Los Angeles – 12:30pm New York – 6:30pm Brussels – 1:30am Hong Kong (next day)
The YouTube live chat will be open for feedback, critique and encouragements.
I suggest you set the YouTube reminder so you don’t miss the premiere and the live chat.
The video will remain available for viewing after the Premiere event

Pirate TV is a new genre that sits somewhere between a vlogcast, documentary, film, and TV show. In the events ambition cube, this sits in the lower right quadrant for a tribe-connectedness.
Current plan is to have two editions: one more business related (the Biz-Tribe Edition), and one more artistic related (the Art-Tribe Edition).
The Art-Tribe Edition launches on 1 Dec 2020, the Biz-Tribe Edition will launch on 2 Feb 2021.
As I strongly believe that magic happens at the cross-section of artists, scientists, engineers, and business people, I expect that sooner or later the two editions will start to blend.
Art-Tribe Edition is intended as a platform for artists in conversation with Petervan.
The artist-in-residence for this first episode is Frank Poncelet.

Frank Poncelet is an independent Artist/Director/Producer who graduated from “The Academy for Visual Arts” in Ghent in 2017. While he has no intention of pursuing professional animation in the future, he enjoys the process and will continue to make animations and VFX shorts. After his Graduation film “A Night On Gor”. He worked for One year on an Animation Mashup “Bug’s Club” inspired by “Hell’s Club” from Antonio Maria Da Silva AMDSFILMS. In 2017/2018). Frank Also Produced his short sci-fi film “Alpha” in 2019. Currently Frank is working on video art using Neural Style Transfer techniques and on a sequel to “Alpha”.
I hope you will enjoy this first episode. Here is the trailer:
The soundtrack of the trailer is here:
If you are an artist, and you are interested to have your work shared and discussed on this channel, please contact me privately.
Warmest,


It’s almost one year (!) since my previous Dec 2019 update. And what a year it was/still is! I basically stayed home for the whole period and had zero travel since Oct 2019.
I am publishing this on the day Belgium is entering its second Covid-19 lockdown. A forced pause-marathon starting on my 63th birthday on 1 Nov till at least mid-Dec 2020. But I am afraid the effort will have to run until deep into 2021 and I am preparing for it as an “interval of possibility”.
An interval of possibility is a temporal framing to see better what is and what can emerge. There is indeed still so much to read, to learn, to experiment, to play with. So many contexts to be architected. So many interesting people to (re)connect with (at least virtually). So much opportunity for spiritual, moral, and aesthetical advancement! Expect me to be quite generative in the coming weeks and months.
The Artschool Project
The Artschool academy year started again in Sep 2020, and I subscribed for a two-year curriculum labeled “specialization”.
“Professionalization” is probably a better title for what it is: a focus on getting the (art)work done, commitment, and ambition. We’ll learn to discover our own visual language starting from our personal frames and themes with the ambition to develop our own artistic maturity and identity. This is about personal reflection, self- and group-critique, evaluation, and research. About creative identity and creative disposition. And about how to create a portfolio, develop contacts with galleries, presenting your own work, setting up your own expo, etc.
From an artistic medium point of view, my main focus will remain painting on canvas, but I will keep experimenting with other (mainly digital) media.
I shared most of my recent work via my Facebook page, or on this blog under the heading “Sine Parole”. I also started selecting more straightforward subjects, such as vases, landscapes, cows, fruit, and everyday objects. In many cases the obvious and what is in front of you is interesting enough. Here is an example of some apples from our mini orchard:

The upcoming Cow project
I have something with cows (pun intended). I met many during my summer bike tours. It feels it is going to become yet another a thematic series, like the prison windows, or the birds, or the boxers.
One option is to create a cow-sign-language and typography, or maybe see how I can get them generated through in-the-cloud AI neural networks.

Exhibitions
Last year, I visited some art exhibitions, including:
There were many more, but due to Covid-19, many musea were closed or had restrictions.

My own exhibition
I ran my first solo (100% virtual) exhibition during summer. Some unexpected fans actually bought some of my works. Thank you: this is very encouraging. For those who don’t know: I also do commissioned work. If interested – in buying or commissions – please send me a private message.

Some vernissage impressions here.
Outdoors
We had a great summer in Flanders. Since the start of the first lockdown on 13 March 2020 we had good to excellent weather till mid-September 2020. Plenty of opportunity for being outdoors, with the occasional bike tour or walk.

Freelance
Covid-19 is not kind to freelancers, especially if you target what some people call the “event industry”. With the exception of a small gig in 2020, I basically got no work since October 2019. Contact me in private if you’d like to hire me for “interesting” work.
BANI
Already in 2018, Jamais Cascio coined the term BANI. See my post from Aug 2019 and Jamais’ update from April 2020. As mentioned before, I am working with some partners on a virtual multimedia workshop based on this framework, with a specific focus on possible responses. We have an amazing cast on-board, and it looks that we’ll be able to make some announcements soon.
Design Unbound
I am blown away and intrigued by the insights in Design Unbound: Designing for Emergence in a White Water World. This is about having agency in a world that is constantly shifting under you. It is so refreshing after all those business-, management-, leadership-, and self-help-books. It has become a healthy addiction: I am basically reading and re-reading and deeply internalizing everything that Ann Pendleton has written in the last couple of years.

We are building a team to design and deliver a corporate curriculum on this topic. Stay tuned on the “we” and the “curriculum”.
Pirate TV
Most online events and conferences suck. I have some ideas on how to be more ambitious. See my earlier post on the ambition cube for virtual events.
I got the chance to do a commission for a client on this concept and we – the client, the team, myself – learned a lot on what works and what not.
There are now two Pirate TV channels in the pipeline: one more business focused and one more “artsy”.
New toys
For Pirate TV, I wanted to become more fluent in video and sound creation. As there was nothing else to do due to Covid-19, I followed some online courses on Ableton Live, Final Cut Pro, and Logic Pro X.
These are such rich software environments. Also, their user interfaces make me think differently: thinking in layers, connections, patterns, and harmonies.
Studio Oxygen project
An idea that has been hanging around since 2018, actually.
People are exhausted. Tired of online meetings. Tired of being locked up in their houses. Tired of all the negative news. People crave for oxygen. People crave for small safe groups where they can share, critique, ideate, play.
With a small on-line collective, we plan to come together regularly online to have slow-paced conversations on a topic/seed that I plant. The seed can be the chapter of a book, an object, a poem, a job well done, or a failing forward.
With a no-frills focus on quality content, we hope these sparks of inspiration will give you “oxygen for the mind”.

Traveling Without Moving project
This will be a series of posts documenting my mental and philosophical journey in 2020.
Some spoiler keywords: silence, pause, play, anxiety, unbound, truth, inappropriateness, genre, and yellow.
Traveling Without Moving (TMW) is also somewhat related to Studio Oxygen and Pirate TV
Books
Check out my GoodReads: https://www.goodreads.com/user/show/3085594-peter-auwera
Some highlights:
Also don’t forget Robert Poynton’s “Do Pause”. Together with Josie Gibson we made 8 podcast episodes, one for each chapter in this book. The last episode is here.
Petervan Rides
Since July 2019, I publish every month a Spotify List with new releases combined with some oldies from the 60ies, 70ies, and beyond. Search for “Petervan Ride” and select “playlists”. Subjective selection of course, as driven only by my personal taste (or lack thereof).

So, what’s next?
I will officially retire from corporate life as from 1 Dec 2020. Not that I plan to stay idle, on the contrary. Within limits, I will stay available for interesting freelance work – I call it “paid play” – and plan to stay very focused on my artwork.
The plan for the coming months is to work/play on (random order):
So, that’s it for this edition. If there is something worth reporting, next update is for Apr 2021.
#STAYSAFE
#STAYCONNECTED
Warmest,
Petervan Artwork ©2020 – Sparren on FCP X
As promised, here is the TimeCapsule video for the virtual opening vernissage of my first solo exhibition.
Subtitles are available in NL/UK
With contributions by my cousin Joost Vander Auwera (Senior Curator – Royal Museums of Fine Art of Belgium, Brussels), Chris Vanbeveren (my Art Painting coach – Academy for Visual Arts, Ghent, Belgium), Frank Poncelet (synthesizer soundscape, co-student Digital Visual Arts, Ghent, Belgium), and John Oliver from Interior Truth. With lots of gratitude.
Background music credits: by Meydän – Tracks: Pure Water, Under Water, Please Wake Up https://freemusicarchive.org/music/Me…
All other artwork, video, soundscape, poems, video editing by Petervan. Produced with standard tools like iMovie and YouTube Studio.
I am inviting video artists to do something more interesting with the raw material of this TimeCapsule. Contact me privately if interested.
Joost and Chris were so kind to write and record introductory words for the opening keynotes. Below some extracts and links to the full versions. The TimeCapsule video includes slightly edited versions of the full versions in NL/UK.
“Petervan has a special sensitivity in his art for the image that captures. And he knows how to maintain this in a multitude of styles and media. This is evident from this solo exhibition. He greatly appreciates what his teachers teach him and that decorates him.”
“He constantly experiments, but his images keep capturing attention, in a wide variety of form languages”
“Peter likes to work with different materials and techniques and since a few months he also expresses himself with digital imaging. In that context, we can definitely speak of “mixed media”. There are even initiatives and ideas to give this a three-dimensional character. We can only encourage it. In his exhibition we see that diversity. There are “grid structures”, paintings with collage-like aspects, idiosyncratic representations of man, interiors, models like I already mentioned, geometric and organic.”
“I think we can safely say that Peter is a thinker in images.”
And Frank Poncelet – in his daily life Operations Architect at the Xplore Group, but here as co-student of the Digital Visual Arts Media Lab of the Academy in Ghent – made a soundscape for the TimeCapsule with his synthesizers. Check out his YouTube Channel Frame Per Second Animation). I selected his video “Pellicule”. I am sure the Corporate Rebels out there will find inspiration in this compilation.
Also included in this TimeCapsule is a recording made by John Oliver from Interior Truth: what he does is interesting – silent witnessing videos of artists. Check him out.
Short version here, and the long version here
My testimonial about this experience:
The silence witnessing approach is refreshing. John creates a virtual space for permission. Permission to be silent, to open-up, to reflect, to adjust, to pause, to dream, and to imagine. He skilfully listens and watches in silence, trying to discern the different stories interwoven in the recording, picking one, and editing it in a high-quality video testimony that respects the integrity of the moment.
Personally, I chose to share stories that were informed from recent reflections, rather than stepping over the lines of my own vulnerability. I know it, and I have no regrets of not exposing my worst shadows to a broader audience. I think it is good for any artist/creative to have a witnessing moment like this, to discover and articulate better what is driving the artistic process. Bravo!
The showroom of the exhibition is open until 31 August 2020. You can get in via this link.
I got some very encouraging feedback after the launch on 1 July 2020, for which I am very grateful. So, more artwork is coming. I just subscribed for another two years at the Academy for Visual Arts in Ghent: a series of 2 specialization years on painting with the aim to professionalise my practice. And cherry on the cake, two artworks already sold: “Blue Boat” and “Five Guys on the Beach”. Feels like the start of a new career.
Enjoy!
