Petervan Artwork © 2018 - Digital Mix based on WIRED cover
Category: Sine Parole
Petervan update March 2018 – Prison Window
Petervan Artwork © 2018 – Liberty in Prison – Digital Mix
Spoiler: there is nothing in this post that is business, FinTech, Blockchain or AI related.
General
It has been a quiet couple of weeks since my previous update of Jan 2018. I am getting used to the post-employee rhythm of the day: art, garden, chickens, biking. My day schedule is getting close to “the perfect day” as described in Freed From Desire.
The Artschool project
Most of my artwork is related to the Hot Dogs Tonight (HDT) project. If you want an intro on HDT, check out my previous post.
As the HDT is at times so geometrical and becoming a real obsession – and to assure you and myself that I am not completely flipping – I sometimes alternate with more organic work like this:
Petervan Artwork © 2018 – Messin’ – Acryl on canvas – 120x100cm
But back to HDT: Marie-Ange, one of my teachers at academy, introduced me to PVL, who had been experimenting a lot with painting on canvasses that themselves where prints on canvas.
When he heard about one of the sub-projects of HDT, he suggested me to go fully digital and print on canvas instead of painting on printed canvas. He sounded like a perfectionist: nothing below 750 dpi, always use high quality print shops, only use Adobe Photoshop, etc
So I “perfected” the prison window to this reference shape (all formats, colours, line weights, etc are now documented for different sizes…)
Petervan Artwork © 2018 – Reference Prison Window – Digital Mix
I also tried a bigger painting (120x100cm), with 720 little prison windows. The yellow went fine, but for some reason the purple paint started creeping under the mask tape, and I lost the precision of the preparatory work. I tried to hide the imperfections with carbon black acryl markers, but made it worse (although some disagree).
I should have tested these new markers a couple of times on test surfaces before applying it to the 720 HDT canvas. Also the canvas started undulating after applying and re-applying so much tape. Again, some good lessons learned in addition of having become some semi-expert in mask taping.
Petervan Artwork © 2018 – 720 Windows – Acryl on canvas – 120x100cm
I also started to prefer the shape without the prison bars: hoping less is really becoming more. I experimented with different settings, formats, colours, with/without lines, taped lines, acryl marker lines, etc.
This time using very cheap 20x20cm canvasses from the local Action-store (discounter)
Petervan Artwork © 2018 – Small windows – Acryl on canvas – 20x20cm
Petervan Artwork © 2018 – 20 experiments for essence – Acryl on Canvas – 20x20cm
People seem to be intrigued by the HDT work, and it can serve many different (post-fact confabulated) narratives. Some narratives that seem to tick/stick:
Golden Cage: the life of employees with all the perks and stocked fridges, but still living and operating as self imposed inmates, loosing all sense of agency, and keeping quiet and obeying whatever real or imaginary authority. I can imagine HDT full-size installations with different insides/outsides to let the visitor experience what they missed by staying inside the cage.
Petervan Artwork © 2018 – NYC/SFO/LON/SYD – Prints on Canvas – 20x20cm
The whole theme of surveillance, sous-veillance and the prison guard’s option to open the window at will, or worse overlooking all the prisoners in Jeremy Bentham’s Panopticon, so well put into the social media context in Andrew Keen’s Digital Vertigo. Keen has btw a new book out “How to fix the future”. The look from within the prison cell, seeing the sunshine outside. The look from outside, seeing the cheap light bulb inside.
Petervan Artwork © 2018 – Inside/Outside – Print on Canvas – 20x20cm
Trumpism: Americans seem to be frustrated with it. There seems to be a sort of complacency that leads to statements like “As long as it does not burn in my house”. Your own house has become a prison cell and/or refuge. “Liberty in Prison” seems to appeal to that, as well as the baseball hat referring to some other possibilities than America First. Same for all the shootings in schools, schools being experienced as danger zones: Schools behind bars.
Petervan Artwork © 2018 – Liberty/School behind bars – Digital Mixes
The HDT shape can also be seen as some sort of code, a symbol, an icon, a tag, a font, a sign-of-the-times. I have used it as part of the design of the world clock installation, or contrast experiences in Green/Red/Blue. For the world clock, I also have a more complex design with gyroscopes and smartphone holders, and a smartphone app to take pictures/selfies from behind the prison window.
Petervan Artwork © 2018 – World Clock - Installation 6 acryl canvasses – 20x20cm
Petervan Artwork © 2018 – Green/Red/Blue – Acryl on Canvas – 50x50cm
The algorithms of the online print shops pointed me to cross-sell offerings for all sorts of merchandise. I have now received designs for T-shirts, baseball caps, notebooks, mugs, pencils, stickers, etc
I could not resist and ordered the black T-shirt, and it did arrive nicely in my mailbox two days after uploading my JPEG file to the print shop. The caps are not ordered yet. Still hesitating for white caps, or red caps to make the link with “Make America Great Again” and to find some alternative tagline. Could be something with “resist” or “released” or ???
Petervan Artwork © 2018 – Merchandising – The T-shirt exists 😉
Petervan Artwork © 2018 – Stencils/Templates/Etches/Monoprints
The HDT project unleashes many other ideas. Some folks refer to the Blue Dog Phenomenon by George Rodrigue or the OBEY memes of Shepard Fairey, who recently even started covering huge apartment blocks with his memes. I have no idea where HDT will lead me. It just happened to me. There is no plan. Let’s celebrate happenstance.
My academy teachers told me there are enough ideas now, and it’s time to “execute” and make some of the existing work “presentable”:
- Most of my canvasses are stitched on wooden panels. After a while, especially with a lot of tape-work, they start undulating. I need to get some of them properly framed (or do it myself) so they look somewhat “neat”.
- I have load of digital work and try-outs. My teachers say that that work is worth seeing as well. This could include printing some of my digital designs on high quality paper and presenting them in some kind of gift box that people can browse through
New tools
I completed my studio with the following new tools:
- Photoshop: re-doing the excellent on-line courses on lynda.com by Deke McClelland
- SketchBook Pro: https://www.sketchbook.com
- Wacom Intuos Tablet: https://wacom.com/en-us/products/pen-tablets/wacom-intuos
- Self-cut stencils/templates in cardboard
- Etching pens
- Self made stamps
- Refillable Acryl markers
- Subscription to some on-line print shops
- Black & Decker WorkMate for my upcoming woodwork
Co-creation: Prison-Window-as-a-platform
I am playing with the idea of making available the Prison Window in different formats (PSD, JPEG, etc) and inviting other creative folks to have a go with it and sharing their results with the community. I will probably do a separate post with invitations and assignments for that.
I will probably start simple with some Google-Doc folders, but wondering if any cloud platform already exists to do just that. Also interested on any models for licensing and compensation models for collaborating artists. You never know somebody wants to buy this stuff. Just ping me if you know of any platform or models that can serve my needs. I will be eternally grateful 😉
The Pigs & Chickens Project
Just a moniker for my garden project. And for this edition just some pictures will do.
Petervan Industrial Constructions © 2018 – Self made vegetable box
Petervan Chicken diversity/inclusion/#metoo 2018
Interesting quotes/random ideas/reflections
- About Trump: “As long as it is not burning in my house” and “The destruction of complacency”
- About time: “Future Memories”
- About employees: “Self imposed inmates”
Social media disconnect
As in “the perfect day”, I am now almost completely disconnected. I have unsubscribed from almost all mailing lists. I am down to about 2 emails per day and of course an empty email box. My mobile can only take calls and text messages. 3G is disabled. I have stopped tweeting, FB-ing, etc. I put a blocker on my browser (https://blocksite.co/) on my laptop and mobile and it does what you’d expect it to do. I feel I have more agency with my time. I am enjoying the physical and emotional silence.
What’s next?
During Apr – June 2018, the plan is to work on:
- Hot Dogs Tonight, with a focus on wooden 3D objects, and more rough and bigger scale projects
- Pigs & Chickens Project
- Studio Oxygen (see previous post)
- Lots of biking (it’s spring and summer after all)
- Whatever feels interesting (A.F.E.A.R.) and comes naturally into my flow: a couple of leads developed after my latest post, we’ll see how that goes.
Petervan Artwork © 2018 – Green – Acryl on canvas – 50x50cm
That’s it for this edition. If there is something worth reporting, next update is for June 2018.
Warmest,
Sine Parole – 16 Nov 2017
Artschool 2017 Academy Ghent. First time drawing eyes and mouth. Pencil on cheap sketch paper. Format A4
Sine Parole – 22 Oct 2017
Petervan Productions 2017 - Live Model Pencil, charcoal and acryl on Steinbach paper A3
Sine Parole – 14 Oct 2017
The watercarriers - Petervan Productions 2017 Pre-study with basic greys - Acryl on canvas - 90x60 cm
Sine Parole – 3 May 2017
Artschool 2017: "Femme Déjantée" Acryl on canvas stitched on wooden panel - 120 x 80 cm
Sine Parole – 25 Mar 2017
Artschool 2017: 4 week colour study
Original by Oskar Kokoschka “Girl with doll” and
Pixel painting by Peter
All colours are self-mixed.
Handmade.
No computers.
Acryl on cotton canvas stitched on wooden panel.
About 90x100cm
Sine Parole – 23 Oct 2016
The Blue Blues - Acryl on cheap paper - A2 format
Sine Parole – 26 Mar 2016
Artschool 2016: Exercise in layering. Acryl on plastered cardboard A1 format.
Source picture for the exercise
Sine Parole – 13 Mar 2016
Petervan Before Flowers in Amphitheater - A1 format -Acryl on low quality paper
Petervan After Flowers in Amphitheater - A1 format -Acryl on low quality paper